Flower Diary

“Part memoir, part biography, this is a beautifully written and layered volume that opens its arms wide and encompasses art, domesticity, the intimacy of marriage and of death. Lush and beautifully produced.” — Toronto Star
“Flower Diary is written with the lingering observations and lyrical touch of an established poet, yet with an easygoing, conversational tone often lacking in didactic art biographies.” — Quill & Quire
“Flower Diary, published by ECW Press, with its carefully reproduced paintings, gorgeous endpapers and glossy paper stock, puts it in the running as the most stunning book to come out of Canadian publishing this year.” — Toronto Star
“In prose as subtle and enchanting as Mary Hiester Reid’s own brushstrokes, Flower Diary paints a compelling portrait of a talented and unjustly neglected painter. Molly Peacock is unfailingly sensitive and intelligent, and at times deeply moving, as she shows how, despite the shade of domestic life and the unfavourable climate of the times, MHR brought forth her bright blossoms.” — Ross King, author of Mad Enchantment: Claude Monet and the Painting of the Water Lilies
“In Flower Diary, Molly Peacock has produced an exquisitely unique work. A meticulous biography that’s also an eloquent, sophisticated portrait of intimate relationships, this book is about many things: the discipline required to make fine art, the emotional resilience required to sustain a marriage, the emotional turbulence hiding inside ‘simple’ floral paintings. Most of all, though, it’s a clear-eyed, unsentimental tribute to those who have the luck and fortitude to carry out their lives on their own terms. I devoured every detail, and was both moved and inspired.” — Meghan Daum, author of The Unspeakable: And Other Subjects Of Discussion
“Graceful yet precise, poetic yet deeply rooted in research, this exploration of an overlooked painter is gorgeous — a joy to read. Molly Peacock’s insights and empathy with her subject bring to life both Mary Hiester Reid and her luscious flower paintings.” — Charlotte Gray, author of The Massey Murder
“Poet and nonfiction writer Molly Peacock offers a rich and thought-provoking exploration of 19th-century artist Mary Hiester Reid in Flower Diary: In Which Mary Hiester Reid Paints, Travels, Marries and Opens a Door. As she did in The Paper Garden, her wonderful book on the botanical artist Mary Delany, Peacock skillfully melds personal musings on the lives of creative women with her look at the historical life. Among other things, Flower Diary is insightful about the ways women had (and have) to juggle multiple roles and responsibilities to make time for a serious creative practice.” — Society Nineteen Journal
“As in her previous biography about Mary Delaney, the inventor of cut paper botanical collage, Peacock interlays Hiester Reid’s story with scenes from her own life. In this case, the author tells the story of her relationship with her late husband, who died last year. Peacock is also a poet, and her prose is lyrical and poignant.” — Hyperallergic
“Perhaps the most interesting thing here is that Peacock is incapable of writing a dull book … Reading a book by Peacock is like listening in on a fascinating conversation … Peacock is also the type of writer who insists on a physical book being as memorable as its contents. With its heavy stock, beautiful colour reproductions, and elegant floral endpapers, Flower Diary really is in a league of its own.” — Literary Review of Canada
“Between Toronto poet Molly Peacock’s luscious biography of Toronto painter Mary Hiester Reid and Helen Humphreys’s illustrated Field Study, ECW Press has emerged as the publisher of some of this year’s most beautifully packaged titles. Peacock’s hybrid telling of Reid’s story is intertwined with her own personal recollections of love and sorrow, and it serves as a treatise for women who want to lead creative lives.” — Quill & Quire

Biographer and distinguished poet Molly Peacock is the author of The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72, as well as seven volumes of poetry, including The Analyst: Poems. She is an arts activist and, with a friend, started what became a cultural institution in New York City: Poetry in Motion on the subways and buses. A former Leon Levy Center for Biography Fellow and a dual American/Canadian citizen, Molly divides her time between Toronto and New York City.

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