Farewell Waltz by Milan Kundera poses serious questions with a compelling and blasphemous lightness, which makes us understand that the modern world has taken away our right to tragedy.
Farewell Waltz by Milan Kundera poses serious questions with a compelling and blasphemous lightness, which makes us understand that the modern world has taken away our right to tragedy.
Klima, a celebrated jazz trumpeter, receives a phone call announcing that a young nurse with whom he spent a brief night at a fertility spa is pregnant. She has decided he is the father.
And so begins a comedy which, during five madcap days, unfolds with ever-increasing speed. Klima's beautiful, jealous wife, the nurse's equally jealous boyfriend, a fanatical gynaecologist, a rich American, at once Don Juan and saint, and an elderly political prisoner who, just before his emigration, is holding a farewell party at the spa are all drawn into this black comedy, as in A Midsummer Night's Dream.
As usual, Milan Kundera poses serious questions with a blasphemous lightness which makes us understand that the modern world has taken away our right to tragedy.
Milan Kundera, born in Brno, Czechoslovakia, was a student when the Czech Communist regime was established in 1948, and later worked as a labourer, jazz musician and professor at the Institute for Advanced Cinematographic Studies in Prague. After the Russian invasion in August 1968, his books were proscribed. In 1975, he and his wife settled in France, and in 1981, he became a French citizen. He is the author of the novels The Joke, Life is Elsewhere, Farewell Waltz, The Book of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and of the short-story collection Laughable Loves - all originally in Czech. His most recent novels, Slowness, Identity and Ignorance, as well as his non-fiction works The Art of the Novel and Testaments Betrayed, were originally written in French.
Farewell Waltz by Milan Kundera poses serious questions with a compelling and blasphemous lightness, which makes us understand that the modern world has taken away our right to tragedy. Klima, a celebrated jazz trumpeter, receives a phone call announcing that a young nurse with whom he spent a brief night at a fertility spa is pregnant. She has decided he is the father. And so begins a comedy which, during five madcap days, unfolds with ever-increasing speed. Klima's beautiful, jealous wife, the nurse's equally jealous boyfriend, a fanatical gynaecologist, a rich American, at once Don Juan and saint, and an elderly political prisoner who, just before his emigration, is holding a farewell party at the spa are all drawn into this black comedy, as in A Midsummer Night's Dream. As usual, Milan Kundera poses serious questions with a blasphemous lightness which makes us understand that the modern world has taken away our right to tragedy.
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