Black British Music in America, 1967–2000

Atlantic Crossover

Author: Mike Alleyne Series: Ashgate Popular and Folk Music Series

Black British Music in America, 1967–2000

Hardcover

This book historically examines musical and cultural relationships through popular music recordings, exploring the transatlantic journeys via academic, critical and commercial reception of the music. It will interest all those who study popular music, cultural studies, and music production, as well as popular music listeners.

New

$272.80

Or pay later with

Free 30 day returns Secure transaction

Check delivery options

Hardcover

PRODUCT INFORMATION

Summary

Description

Black British Music in America 1967–2000: Atlantic Crossover historically examines musical and cultural relationships through popular music recordings, exploring the transatlantic journeys via academic, critical, and commercial reception of the music. It addresses an overlooked area of Black popular music, investigating the fluctuating fortunes of artists and the contradictions of exporting such recordings to America.

Examining a complex history spanning the last four decades of the twentieth century, the author reveals the chronologies and the recording industry circumstances shaping the presence of Black British music in America. Readers will discover the conditions under which key recordings were made and released, through detailed analysis and new interviews with participating producers and artists. Including exploration of chart histories, this book also dissects the content of the recordings, uncovering the elements that made many of them successful.

Black British Music in America 1967–2000 will interest all those who study popular music, cultural studies, and music production, as well as popular music listeners.

About the Author

Mike Alleyne is Professor Emeritus with the Department of Recording Industry, Middle Tennessee State University (MTSU). His publications include co-editing the award-winning collection Analyzing Recorded Music (2023), The Essential Hendrix (2020), and The Encyclopedia of Reggae (2012), and co-editing Prince and Popular Music (2020). His work has been published in Popular Music & Society, Rock Music Studies, Popular Music History, Ethnomusicology Forum, and American Music Perspectives.