An entertaining journey into how the deaths of great poets have shaped our culture's distorted sense of poetry
The post-Romantic lore of the dissolute drunken poet has fatally skewed the image of poets in our culture. What is the price of poetry?In this book, two contemporary poets embark on a series of journeys to the death places of poets of the past, in part as pilgrims, but also as investigators, interrogating the myth.
An entertaining journey into how the deaths of great poets have shaped our culture's distorted sense of poetry
The post-Romantic lore of the dissolute drunken poet has fatally skewed the image of poets in our culture. What is the price of poetry?In this book, two contemporary poets embark on a series of journeys to the death places of poets of the past, in part as pilgrims, but also as investigators, interrogating the myth.
An entertaining journey into how the deaths of great poets have shaped our culture's distorted sense of poetryFrom Dylan Thomas's eighteen straight whiskies to Sylvia Plath's desperate suicide in the gas oven of her Primrose Hill kitchen; from Chatterton's Pre-Raphaelite demise to Keats' death warrant in a smudge of arterial blood, the deaths of poets have often cast a backward shadow on their work.The post-Romantic lore of the dissolute drunken poet has fatally skewed the image of poets in our culture. Novelists can be stable, savvy, politically adept and in control, but poets should be melancholic, doomed and self-destructive. Is this just an illusion , or is there some essential truth behind it? What is the price of poetry?In this book, two contemporary poets embark on a series of journeys to the death places of poets of the past, in part as pilgrims, but also as investigators, interrogating the myth.
“A rollicking mixture of literary biography, commentary, travelogue and anecdotage, much of it deeply amusing.”
-- Claire Harman Evening Standard
So much material of such innate interest is presented with just the right balance of panache, wit, insight and elegy… A good, clever, kindly and enjoyable book it is, like eavesdropping on two smarter friends when they are sparking off each other… Farley and Roberts are always entertaining and illuminating, gentle guides and quixotic questers. -- Stuart Kelly Scotland on Sunday
Deaths of the Poets is packed with anecdotes and macabre frisons; its forays through some of poetry’s more sensational edge-lands make for a compelling read. -- Nicholas Roe Literary Review
A terrifically entertaining book: thoughtful, funny, informative, with an eye for good quotes and anecdotes, and wide-ranging in both the distance it travels and the material on which it draws. -- Blake Morrison Guardian
Deaths of the Poets is a gripping, witty read, but also asks serious questions about the way the post-Romantic myth of the doomed poet skews the way we interpret their work. -- Kathryn Hughes Mail on Sunday
It is a thoughtful book, structured as a series of pilgrimages to the places where poets have died. -- Lara Feigel Irish Independent
The authors are agreeable, well-informed and slyly humorous company. -- Dan Brotzel UK Press Syndication
Poets Paul Farley and Michael Symmons Roberts make a comic routine out of their own relative longevity… An absorbing, if melancholy trip. -- Suzi Feay Financial Times
On their pilgrimage, Michael and Paul honour their poetic heroes, but also investigate and interrogate the myth, sending themselves up in the process. The result is a book… that is enlightening and provocative, eye-wateringly funny and powerfully moving. About Manchester
The book is a fascinating if slightly ghoulish examination of poets’ deathbeds, and sometimes their last words, such as Philip Larkin’s bleak remark, “I am going to the inevitable”… Deaths of the Poets is highly readable, informative and resonating with a literary hinterland. -- Francis Philips Catholic Herald
Michael Symmons Roberts (Author)Michael Symmons Roberts was born in Preston, Lancashire in 1963. His books of poetry have won many awards including the Forward Prize and the Costa Poetry Award for Drysalter (2013) and the Whitbread Poetry Prize for Corpus (2004). His Selected Poems was published by Cape in 2016. As a librettist, his work with composers has been performed in concert halls and opera houses around the world. The Sacrifice (for Welsh National Opera) with composer James MacMillan, won an RPS Award, and choral works Elliptics (for BBC Philharmonic) and The Anvil (for Manchester International Festival) with composer Emily Howard, were both nominated for Ivor Novello Awards. His non-fiction book Edgelands (with Paul Farley, 2011) won the Foyles Book of Ideas Award and the Jerwood Prize. He is an award-winning broadcaster and dramatist, Professor of Poetry at Manchester Metropolitan University and a Fellow of the Royal Society of Literature.Paul Farley (Author)Paul Farley is the author of four collections of poetry and has won the Forward Prize for Best First Collection, the Whitbread Poetry Award and the E.M. Forster Award. He broadcasts regularly on radio and presents The Echo Chamber on Radio 4. Edgelands, co-written with Michael Symmons Roberts, received the Royal Society of Literature's Jerwood Award and the 2011 Foyles Best Book of Ideas Award and was serialised as Radio 4 Book of the Week.
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