Duncan Dewey (code name: Gluestick) leads the team against a supervillain who used to be a member of NERDS. But has the team become too dependent on their supergadgets? It will take old-fashioned brainpower and bravery to save the world again. Illustrations.
Duncan Dewey (code name: Gluestick) leads the team against a supervillain who used to be a member of NERDS. But has the team become too dependent on their supergadgets? It will take old-fashioned brainpower and bravery to save the world again. Illustrations.
A group of unpopular fifth graders run a spy network from inside their school. With the help of cutting-edge science, they transform their nerdy qualities into incredible abilities! In the series’ second installment, Duncan Dewey (code name: Gluestick) leads the team against a supervillain who used to be a member of NERDS. But has the team become too dependent on their supergadgets? It will take old-fashioned brainpower and bravery to save the world again. Publishers Weekly raved, “Buckley has a flair for exaggerated humor.”
Michael Buckley is the author of The Sisters Grimm, a New York Times bestselling series and a Today Show Al Roker Book Club pick. He has also written and developed shows for Cartoon Network, Nickelodeon, and Discovery Channel. He lives in Brooklyn. Visit TeamNerds.com.
This great London orchestra made its debut in a recording session shortly before its first public concert in 1932 and now has well over a thousand recordings to its credit. All are dated and detailed for the first time in this meticulous study researched from primary sources. Commercial sessions account for most of the 1300 entries, but the main chronological sequence also includes live recordings and videos. Copious indexing allows access to the main chronological listings via performers, repertoire, record companies, or locations. The study can also be read as a cross-section of the work of the classical recording industry. Appendixes cover film soundtracks, recordings made by the London Philharmonic Choir independently of the orchestra, controversial attributions, and principal players in the orchestra. Indexes of (and notes on) the recorded repertoire, conductors who have recorded with the orchestra, and the studios, halls, and churches used as recording venues are supplemented by a comprehensive general index of soloists, singers (including full casts of operas), producers, engineers, and recording companies, giving easy access to a wealth of information, most of which has previously been unpublished.
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