Murder and Mamon by Mia P. Manansala - ISBN: 9780593549162
Paperback
Dirty laundry, murder, and meddling aunties: can Lila clean up this mess?

$35.58

  • Paperback

    288 pages

  • Release Date

    24 October 2023

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Summary

When murder mars the grand opening for Lila Macapagal’s aunties’ new laundromat, she will have to air out all the dirty laundry in Shady Palms to catch a killer.

Lila Macapagal’s godmothers April, Mae, and June—AKA the Calendar Crew—are celebrating the opening of their latest joint business venture, a new laundromat, to much fanfare (and controversy). However, what should’ve been a joyous occasion quickly turns into a tragedy when they discover the building has been vandalized—and the…

Book Details

ISBN-13:9780593549162
ISBN-10:0593549163
Author:Mia P. Manansala
Publisher:Penguin Putnam Inc
Imprint:Berkley Publishing Corporation,U.S.
Format:Paperback
Number of Pages:288
Release Date:24 October 2023
Weight:227g
Dimensions:209mm x 139mm
Series:A Tita Rosie's Kitchen Mystery
What They're Saying

Critics Review

“Though the effervescent delights of Manansala’s opening salvo, Arsenic and Adobo, are still very much in evidence, now Lila’s world feels richer and more fully imagined. Manansala has become truly enmeshed in her characters’ lives, and it shows.”—The New York Times

“Sorry, other food cozies. You can’t hold a candle to this mouthwatering franchise.”—Kirkus Reviews

“Mia P. Manansala whips up another delicious Filipina American foodie mystery in Murder and Mamon…. Witty and well-plotted, Manansala’s fourth mystery is satisfying with a few twists, just like the ninangs’ juicy gossip or a batch of Lila’s pandan cheesecake brownies. Lovers of cozy mysteries, clever female sleuths, and baked goods will enjoy every bite.”—Shelf Awareness

“More fun and intrigue await in Manansala’s newest mystery with our favorite Filipino baker.“—The Southern Bookseller Review

About The Author

Mia P. Manansala

Mia P. Manansala is a writer from Chicago who loves books, baking, and badass women. She uses humor (and murder) to explore aspects of the Filipino diaspora, queerness, and her millennial love for pop culture.

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