
Nick Mount
incandescence
$41.48
- Paperback
88 pages
- Release Date
15 July 2002
Summary
Nick Mount is an iconic figure in the hothouse of contemporary glass. He has been in the vanguard of the studio glass movement in Australia since the 1970s, both as a brilliant exponent of the creative possibilities of hot glass and as a mentor and inspiration to emerging glass artists. Mount has freely adapted traditional hot glass techniques to produce a distinctive and coherent body of vessels and sculptural forms that are distinguished by incandescent colour and compelling physical presen…
Book Details
| ISBN-13: | 9781862545885 |
|---|---|
| ISBN-10: | 186254588X |
| Author: | Margot Osborne, Nick Mount |
| Publisher: | Wakefield Press |
| Imprint: | Wakefield Press |
| Format: | Paperback |
| Number of Pages: | 88 |
| Release Date: | 15 July 2002 |
| Weight: | 480g |
| Dimensions: | 17mm x 280mm x 240mm |
| Series: | Sala |
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About The Author
Margot Osborne
Adelaide author and curator, Dr Margot Osborne, has a PhD in art history from the University of Adelaide, where she is a visiting research fellow. She is the author or co-author of numerous catalogues and books on Australian artists, including Liz Williams: Body language (Wakefield Press, 2017); Christopher Orchard: The uncertainty of the poet (SALA monograph series, Wakefield Press, 2017); Giles Bettison: Pattern and perception (SALA monograph series, Wakefield Press, 2015); Jeff Mincham: Ceramics (Object Living Treasure monograph, 2009); Australian Glass Today (Wakefield Press, 2005); and Nick Mount: Incandescence (SALA monograph series, Wakefield Press, 2003). She has been editor of CACSA Broadsheet (1986-88); art critic for the Advertiser (1988-91); art and design feature writer for the Adelaide Review and the Advertiser (2003-07); guest editor of two issues of Artlink on ‘Beauty’ (2007) and ‘Art, pattern and complexity’ (2010); and a contributor to Australian art journals. Nick Mount has received numerous awards, including the Bavarian State Prize in Germany, an Australia Council Fellowship, and the Arts SA Triennial Project Grant.
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