The iconic shots of Jimmy Katz, the American photographer who portrayed all major jazz musicians. Text in English and Italian.
The iconic shots of Jimmy Katz, the American photographer who portrayed all major jazz musicians. Text in English and Italian.
"The style that Jimmy Katz has developed over the years has become a distinctive feature in the iconography of jazz photography, comparable to the tone of Louis Armstrong's trumpet or the sound of John Coltrane's saxophone." - Michael Cuscuna (Blue Note)The volume, published on the occasion of Umbria Jazz 2019, collects 80 images by Jimmy Katz (New York, 1957), award-winning photographer of the most famous jazz musicians. Over the course of two decades, Katz has immortalised the main actors of the jazz scene against the background of New York: Cassandra Wilson, Herbie Hancock, Sonny Rollins, Keith Jarrett, Ornette Coleman, Chick Corea, Brad Mehldau, Pat Metheny and many more.In the studio, in clubs, on the streets, at work or at rest, Katz portrays the musicians in their most intimate aspects, capturing the traits that unequivocally define their personality. The wise use of lights and the glimpses of New York locations make his shots iconic and unmistakable, a sincere testimony to his great passion for jazz.Text in English and Italian.
Portraits of New York's jazz and blues greats, from Ray Charles to Miles Davis In a career spanning nearly 30 years, the New York-based music photographer Jimmy Katz (born 1957) has become a key figure on the American jazz scene, and is best known for his photographs of the jazz, blues and rock musicians of New York City, the place he considers his home, inspiration and canvas. This book includes both posed portraits and images taken during live performances of legendary musicians like Ray Charles, Keith Jarrett, Miles Davis and Pat Metheny, as well as iconic figures such as Lou Reed, The Ramones, David Bowie, BB King, Sting and Chuck Berry. Each Katz photograph captures the organized chaos and intense dynamism that is characteristic of both jazz and New York City. He writes, "These portraits were made similar to the way musicians make music in a recording studio. In a 'Closed Session.'"
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