This book explores Hollywood’s concern with unresolved racial tensions from the antebellum era to the Civil Rights movement. All major films about the Civil War are discussed, including The Birth of a Nation and Gone with the Wind, as well as considering the film industry’s depiction of African Americans on screen.
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Summary
This book explores Hollywood’s concern with unresolved racial tensions from the antebellum era to the Civil Rights movement. All major films about the Civil War are discussed, including The Birth of a Nation and Gone with the Wind, as well as considering the film industry’s depiction of African Americans on screen.
Description
This study of films relating to the American Civil War extends beyond the four-year military phase of the war, looking forward to the cinema of the twentieth-century Civil Rights period and backward to films about the pre-war years in which the origins and causes of the conflict are also reflected. This is the «long» Civil War of the book’s title, underpinning its originality as a discussion of Hollywood’s concern with the unresolved racial tensions that led to the war and which persist in different but related forms long after its ending. All the major films about the Civil War and a large number of lesser known films are discussed here. There are separate chapters on the two most famous and controversial films of the genre, the 1915 work The Birth of a Nation and Gone with the Wind, and on the Civil War Western that helps to perpetuate the memory of the United States’ most costly and nation-forming armed struggle. The film industry’s reluctance during the silent era to portray the realities of slavery and its exclusion of African American actors from major screen roles are also important themes, and cinema’s eventual self-emancipation in the wake of liberating Civil Rights films is presented as a final Hollywood success story.
About the Author
Malcolm Scott is an Emeritus Professor of French at the University of St Andrews, where he was Head of French and of the School of Modern Languages as well as the founder of the St Andrews Institute of European Cultural Identity Studies. A member of the Bordeaux-based International Society for François Mauriac Studies, his numerous previous books include several on Mauriac’s literary and political writings, as well as a major contribution to the recent award-winning Dictionnaire Mauriac. He was also appointed Chevalier des Palmes Académiques «for service to French culture». His lifelong interest in American film has also led to a study of Frank Capra and to this present book.
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