Lyle Ashton Harris: Our first and last love

Author: Lyle Ashton Harris, Gannit Ankori, Sally Tallant, Nana Adusei-Poku, Roderick A. Ferguson, Ariel Goldberg, Lauren Haynes, Caitlin Julia Rubin and Paulette Young

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Both personal and universal, Harris’ oeuvre weaves together legacies of family dynamics, queer histories and Afro-cosmopolitanismGathering photographs, assemblages, video installations and archival selections from his celebrated and lesser-known series, Our first and last love charts new connections across the artistic practice of New York–based artist Lyle Ashton Harris (born 1965). Informed by an adolescence that unfolded in New York City and Dar es Salaam, Tanzania, as well as several years spent living in Ghana, Harris explores the complexities of African and African American collective identity while forging his own personal narrative as a Black queer man.This book and its accompanying solo survey exhibition chronicles Harris’ approach to representation and self-portraiture while tracing recurrent themes and formal techniques in his work over the last 35 years. Central to this curated selection is Harris’ most recent series titled Shadow Works, mixed-media assemblages of photographic prints embedded in Ghanaian printed textiles with cowrie shells, pottery, handwritten notes, clippings of the artist’s dreadlocks and other personal ephemera. In both the exhibition and its catalog, these works serve as thematic anchors underscoring Harris’ layered approach to his ongoing creative explorations.

Critic Reviews

[Lyle Ashton Harris's] excellent traveling show [is] autobiographical, the story of a queer, Black, Bronx-born man who spent some years living in Africa but retains close family ties to New York, and whose art stays tuned into the intricate workings of race and gender and love wherever it lands. -- Holland Cotter The New York Times
With 'Our First and Last Love,' the audience has access to almost every version of Harris as he's continually found new ways to look in and reach out. -- Harry Tafoya Paper Magazine
As tender and touching as it is raspingly raw. -- Vince Aletti New Yorker
A data-dense, visually compelling archive, not just of one life but, as seen through that life, of the social and political history of Black queer culture in the post-Stonewall years. -- Holland Cotter The New York Times: Arts