
Composing Audiovisually
Perspectives on audiovisual practices and relationships
$146.86
- Paperback
228 pages
- Release Date
21 July 2021
Summary
What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artef…
Book Details
| ISBN-13: | 9780367346911 |
|---|---|
| ISBN-10: | 0367346915 |
| Author: | Louise Harris |
| Publisher: | Taylor & Francis Ltd |
| Imprint: | CRC Press |
| Format: | Paperback |
| Number of Pages: | 228 |
| Release Date: | 21 July 2021 |
| Weight: | 360g |
| Dimensions: | 234mm x 156mm |
| Series: | Sound Design |
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What They're Saying
Critics Review
Situating practice firmly at the heart of her discourse, Dr. Harris unpacks the creative process from a composer’s perspective, revealing valuable insights which challenging traditional media hierarchies and elaborate nuanced understandings of audiovisual composition. This text will be of importance to students, fellow composers and auiodvisuolologists, providing a desperately needed injection of new perspectives into the topic.
Andrew Knight-Hill, University of Greenwich, London.
Harris courageously crafts transdisciplinary inroads into difficult territory, providing teachers, composers, students and theorists multi-perspectival approaches to a broad range of audiovisual practice and identifying and challenging limits of current language and conceptions.
Bret Battey, De Montfort University, Leicester
About The Author
Louise Harris
Louise Harris is an audiovisual composer and Senior Lecturer in Sonic and Audiovisual Practices at The University of Glasgow. In her creative work, she specialises in the creation and exploration of audiovisual relationships utilising electronic music, recorded sound and computer-generated visual environments in fixed media, performance and large-scale installation contexts.
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