Irony's Edge

The edge of irony, says Linda Hutcheon, is always a social and political edge. Irony depends upon interpretation; it happens in the tricky, unpredictable space between expression and understanding. Irony's Edge is a fascinating, compulsively readable study of the myriad forms and the effects of the ironic. It sets out, for the first time, a sustained, clear analysis of the theory and the political contexts of irony, using a wide range of references from contemporary culture. Examples extend from Madonna to Wagner, from a clever quip in conversation to a contentious exhibition in a museum. And the stakes are high - many radical artists and cultural activists consider irony to be usefully subversive; others see it as one of the more negative aspects of postmodern discourse. Can irony be strategy, a way of undermining relations of power? Irony's Edge outlines and then challenges all the major existing theories of irony, providing the most comprehensive and critically challenging theory of irony to date. Linda Hutcheon is Professor of English and Comparative Literature at the University of Toronto.She is the author of a number of related books including The Politics of Postmodernism (1989); A Poetics of Postmodernism: History, Theory, Fiction (1988); A Theory of Parody: The Teachings of Twentieth-Century Art Forms (1985); and Narcissistic Narrative: The Metafictional Paradox (1984).

“"This fascinating, learned, and in all respects curiously edifying study leaves us with the open and disturbingly postmodern question: "Is there a safe 'age of irony?'."" - "World Literature Today Elegantly Written, exceptionally informative and original, Irony's Edge is arguably the most important study of irony to date. . .”

"This fascinating, learned, and in all respects curiously edifying study leaves us with the open and disturbingly postmodern question: "Is there a safe 'age of irony?'.""
- "World Literature Today Elegantly Written, exceptionally informative and original, Irony's Edge is arguably the most important study of irony to date. . .

Arthur F. Kinney

The edge of irony, says Linda Hutcheon, is always a social and political edge. Irony depends upon interpretation; it happens in the tricky, unpredictable space between expression and understanding. Irony's Edge is a fascinating, compulsively readable study of the myriad forms and the effects of irony. It sets out, for the first time, a sustained, clear analysis of the theory and the political contexts of irony, using a wide range of references from contemporary culture. Examples extend from Madonna to Wagner, from a clever quip in conversation to a contentious exhibition in a museum. Irony's Edge outlines and then challenges all the major existing theories of irony, providing the most comprehensive and critically challenging account of irony to date, from one of today's most brilliant and persuasive critics.

There is the growing sense that irony has emerged as a mode of expression that is strangely out of vogue. The popular press has veritably written it off as a means of critique (In 1991, "squire" announced "Forget Irony--Have a Nice Decade!"). Politicians and pundits seldom use it. And when they do, it tends either to miss its intended mark or, for that matter, induce widespread cognitive failure. Yet, irony is a complex rhetorical move. It depends on deep and shared levels of understanding, knowing namely, that one means what one doesn't mean and that that actually means something else completely. It produces a "scene." In "rony's Edge," Linda Hutcheon examines the nature of this "scene." She explores what constitutes irony, how irony functions, in what ways it is political, and how it disrupts the space between expression and understanding. She examines irony not only as an intercommunicative act, but as a discursive practice that is, in many ways, a cultural event, which happens in discrete and often sophisticated ways. She analyzes irony's logic and the way in which it operates in relations to concepts of difference and identity, intentionality and interpretation, and the inappropriate and the appropriate. She examines these concerns vis-a-vis an array of references gathered from contemporary and modern culture. She looks at works such as the novels of Umberto Eco, the operas and symphonies of Richard Wagner, and the art of Anselm Kiefer. She focuses on popular cultural figures such as Madonna and the recent film of Shakespeare's Henry V. Her book is one of the first synthesized theoretical accounts of the cultural phenomenology of irony. In "Irony's Edge," Hutcheonelaborates upon her earlier work on parody ("A Theory of Parody") and scutizines the mechanics of irony in fundamentally salient and critical ways.

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