The Commune Form

Tracing a genealogy of the commune form from 1871, via Henri Lefebvre, to contemporary agrarian struggles of defence, Kristin Ross teases out a conceptual lexicon for ecological spaces ‘beyond capitalism and beyond state bureaucracy’. An essential book. – Steve Edwards, author of Martha RoslerFar from being a remnant surviving in the entrails of modernity, the paysan takes center stage in Ross’s remarkable book as the guide to our post-capitalist futures. Her commentary on recent conflicts between land-based movements and state power is as profound as her appreciation of the modern communards who are reinventing how we should live on the earth. – Andrew Ross, author of Stone Men: The Palestinians Who Built IsraelContinuing a discourse on the commons begun with Communal Luxury and developed in the introduction to The Zad and NoTAV, Kristin Ross’ The Commune Form is a most insightful account of the making of a revolutionary process staring form the transformation of everyday life. It is an account that connects past and present, shows the power of the struggle for the defense of the and land and its capacity to mobilize diverse social subjects and create new social relations. The Commune Form is also an excursus through the theorization about the construction of communal life from Marx and Kropotkin to Mies and (especially) Lefebvre. Beautifully written, at a time when we often despair of the future, it is powerful, soul-moving affirmation that another world free from the alienation of life in capitalism is not only possible but in the making. – Silvia Federici, author of Caliban and the WitchIn this valuable and stimulating essay, Ross turns her attention to the long history of the Paris Commune, seeking its legacy in the making of contemporary struggles over land in the face of state and corporate infrastructure projects. Taking the practices of communal living as her starting point, she argues that ‘we make our community by defending it’, and shows how territorial defence can provide a model for building solidarities and developing the alternative ways of living, being and doing that will be central to a post-productionist world. – Graeme Hayes, author of Breaking Laws: Violence and Civil Disobedience in ProtestThe Commune Form is not determined by disputes on the Marxological left. Its voice is refreshing, precisely because it is so unencumbered by this superego. – Kevin Duong * Public Books *[N]othing about Ross’ subject matter could be called simple-each instantiation of the commune form brings with it a new host of social problems-but her project is to locate the deeper simplicity in what appears infinitely complex. – Patrick Lyons * Parapraxis *

Kristin Ross was born in State College, Pennsylvania in 1953. She attended the University of California at Santa Cruz and received a PhD in French Literature from Yale in 1981. She is the author of a number of books on modern French politics and culture, all of which have been widely translated: The Emergence of Social Space: Rimbaud and the Paris Commune (Minnesota, 1988; Verso, 2008); Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture (MIT, 1995); May 68 and its Afterlives (Chicago, 2002), Communal Luxury: The Political Imaginary of the Paris Commune (Verso, 2015) and The Politics and Poetics of Everyday Life (Verso, 2023). She has also translated works by Jacques Rancière and by the militant collective, Mauvaise Troupe. She lives in Stone Ridge, New York and Paris.