Voice and Ethics in Shakespeare's Late Plays, 9781009613873
Hardcover
Shakespeare’s late plays reveal voice’s ethical power to bind and break.
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Voice and Ethics in Shakespeare's Late Plays

$345.42

  • Hardcover

    300 pages

  • Release Date

    31 October 2025

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Summary

The Ethics of Sound: Voice and Relation in Shakespeare’s Late Plays

Breaking new ground in Shakespearean sound studies, Kent Lehnhof draws scholarly attention to the rich ethical significance of the voice and vocality. Less concerned with semantics, stylistics, and rhetoric than with the sensuous, sonorous, and somatic dimensions of human speech, Lehnhof performs close readings of five plays – Coriolanus, King Lear, Pericles, The Winter’s Tale, an…

Book Details

ISBN-13:9781009613873
ISBN-10:1009613871
Author:Kent Lehnhof
Publisher:Cambridge University Press
Imprint:Cambridge University Press
Format:Hardcover
Number of Pages:300
Release Date:31 October 2025
Weight:0g
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Critics Review

‘Addressing the power and presence of the human voice on stage, Lehnhof shows how acts of speaking, hearing, and listening disrupt our egoism and open us to more authentic connections with others. Enunciating the multivocal wisdom of Shakespearean drama, this book will be accessible to both advanced scholars and students of literature.’ Julia Reinhard Lupton, Distinguished Professor of English, The University of California, Irvine‘Kent Lehnhof has a fabulous ear for the ethical charge of voice in Shakespeare’s late plays. This is a signal contribution to the study of Shakespeare and moral philosophy as well as an innovative exploration of the work of voice in social and theatrical relations.’ Sarah Beckwith, Katherine Everett Gilbert Professor of English, Duke University

About The Author

Kent Lehnhof

Kent Lehnhof is Professor of English at Chapman University, where he has received the university’s highest award for scholarship and its highest award for teaching. He has co-edited two essay collections, Of Levinas and Shakespeare (2018) and Shakespeare’s Virtuous Theatre (2023), and has published two dozen articles and essays.

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