Foreign Fruit

‘Like the fruit at its centre, Foreign Fruit is both sweet and sharp. In Goh’s skilled hands, the orange becomes a powerful symbol to explore centuries of migration and memory. This book is a masterful blend of social history and memoir. I savoured every page of Goh’s prose’ - FREYA BROMLEY, author of THE TIDAL YEAR‘An encounter not only with the orange, but with the reality of diasporic life in hostile environments. Goh patiently and skilfully reinvents the orange as a means of inventing her identity […] and what we’re given is a story more surprising, potent and various than we could ever have imagined’ - AMY KEY, author of ARRANGEMENTS IN BLUE ‘This is an important, intelligent and insightful book that melds Goh’s journalistic and investigative skills on the history and politics of migration and colonialism with wonderfully warm yet astute reflections on her diasporic family and being mixed race, and how identities shape-shift over time, circumstance and geographies’ - AMANDA THOMSON, author of BELONGING ‘Elusive, subverting the popular genre of the “history of things” in elegant ways, Katie Goh writes with as admirable a preciseness about self-othering as she does about botanical history’ - JESSICA GAITÁN JOHANNESSON, author of THE NERVES AND THEIR ENDINGS and HOW WE ARE TRANSLATED ‘I don’t know anyone who wouldn’t love this book. Airy and rooted, its style as beautiful as its investigations, this is the kind of book that holds in it the unexplored ecosophical inquiries of our time’ - SUMANA ROY, author of HOW I BECAME A TREE ‘This is a book to be devoured - so visceral that I can feel the drip of the orange’s juice on my skin as I read. The writing is poetic and beautiful, every detail written with such care. But this story is laced with pain that feels physical, thanks to Katie’s ability to capture the small moments whilst also laying bare the violence of racism, the complexity of migration and so much more’ - ANNA SULAN MASING, author of CHINESE AND OTHER ASIAN

Katie Goh is a writer and editor. Her award-nominated essays, journalism and criticism have appeared in publications including Port, the Guardian, Gutter, Wasafiri, i-D, Dazed and gal-dem, and she is an editor for Extra Teeth literary magazine. Her book of essays The End: Surviving the World Through Imagined Disasters was a Reviewer’s Choice for The Big Issue’s Independent Books of 2021 and shortlisted for the inaugural Kavya Prize in 2022. She grew up in the north of Ireland and lives in Edinburgh.