The House with Only an Attic and a Basement

The funniest book I’ve read in years. Maris flexes her wit and wisdom to create a litany of nervous characters in a style that’s mordant, sarcastic, satiric yet often compassionate … a poet of risk, she is dark, deep and often laugh out loud – Daljit NagraHer dry, droll, clinically deadpan manner is all her own; but her themes - obscure hurts, implacable dissatisfactions, hardwired propensity for victimhood and suffering - reflect the experience of humanity at large – Christopher ReidIt’s like being in a cage with a jaguar - both the car and the animal: one is very fast, the other very hungry. It’s highly dangerous, but strangely, you don’t mind. Bloody readable anyway – Hugo Williams

Kathryn Maris is originally from New York and has lived in London since 1999. Her previous collections are The Book of Jobs (Four Way Books, 2006) and God Loves You (Seren, 2013), and a selection of her poetry appeared alongside the work of Frederick Seidel and Sam Riviere in Penguin Modern Poets 5: Occasional Wild Parties (2017). Her poetry has been published widely, including in Granta, The Nation, The New Statesman, Poetry, The Best British Poetry 2015 (Salt) and The Forward Book of Poetry 2017 (Faber & Faber).