Hardcover
Borderlands pulse with creative struggle, defiant melodies, and freedom found.

Wild Tongue

A Borderlands Mixtape

$262.25

  • Hardcover

    222 pages

  • Release Date

    27 October 2026

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Summary

In Wild Tongue, writer, scholar, and musician Jonathan Leal invites readers to the Texas borderlands to witness contemporary sonic cultures and expressive forms of Latine struggle and world-making. Blending autoethnography, music criticism, and border theory into an epistolary mixtape, Leal depicts the borderlands as a generative place made by its inhabitants, a geography where creativity and cultural performance engage powerfully with politico-aesthetic issues, create communal identity, and challenge xenophobic and nationalist dominance. Across the mixtape’s contrasting “tracks,” Leal situates living artistries within longer, local arcs of borderlands creativity, amplifying Gloria Anzaldúa’s durable, pathbreaking observation, “Wild tongues can’t be tamed, they can only be cut out.” Combining lyric nonfiction, artist interviews, archival research, transdisciplinary analysis, and popular music criticism and production, Wild Tongue presents an exhilarating, embracing account of freedoms pursued between worlds.

Book Details

ISBN-13:9781478034308
ISBN-10:1478034300
Author:Jonathan Leal
Publisher:Duke University Press
Imprint:Duke University Press
Format:Hardcover
Number of Pages:222
Release Date:27 October 2026
Weight:472g
Dimensions:152mm x 229mm
A-Format
B-Format
Wild Tongue by Jonathan Leal - ISBN: 9781478034308
152 × 229 mm
C-Format
A4
mm / in
What They're Saying

Critics Review

“Wild Tongue: A Borderlands Mixtape is an exuberant, taste-scrambling, and joyful book. Through its deep cuts, distorted notes, genre leaps, and potent longings, Jonathan Leal reminds us of our power to read, listen, write, sing, and create our lives, and worlds, anew.”—José David Saldívar, author of Junot Díaz: On the Half-Life of Love

About The Author

Jonathan Leal

Jonathan Leal is Associate Professor of English and Affiliated Faculty in the Thornton School of Music at the University of Southern California. He is the author of Dreams in Double Time: On Race, Freedom, and Bebop, also published by Duke University Press, and coeditor of Cybermedia: Explorations in Science, Sound, and Vision.

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