Three Short Novels

Reveals surprising new dimensions of Galt's short novels Glenfell, Andrew of Padua, and The Omen

Reproduces the texts of Glenfell (1820), Andrew of Padua (1820), and The Omen (1825), making these virtually unknown works available to modern readers while setting them into the context in which they were first published and readProvides acomprehensive introduction by the editor which reveals how these novels came to be written, their contemporary reception, and their significance within Galt's life and careerOffers full annotations which explain Galt's diverse geographical, historical, literary, and philosophical contexts and allusionsThis volume brings together three short novels that reveal the diversity of Galt's creative abilities. Glenfell is his first publication in the style of Scottish fiction for which he would become best known; Andrew of Padua, the Improvisatore is a unique synthesis of his experiences with theatre, educational writing, and travel; The Omen is a haunting gothic tale. With their easily readable scope and their vivid themes, each of the tales has a distinct charm. They cast light on significant phases of Galt's career as a writer and reveal his versatility in experimenting with themes, genres, and styles.

John Galt was a Scottish novelist, entrepreneur, and political and social commentator.

Angela Esterhammer is currently Principal of Victoria College and a Professor in the Department of English at the University of Toronto. She is the author of Romanticism and Improvisation, 1750-1850 (Cambridge University Press, 2008), The Romantic Performative: Language and Action in British and German Romanticism (Stanford University Press, 2000) and Creating States: Studies in the Performative Language of John Milton and William Blake (University of Toronto Press, 1994), the editor of Northrop Frye on Milton and Blake, Volume 16 of the Collected Works of Northrop Frye (University of Toronto Press, 2005) and Romantic Poetry: Comparative History of Literatures in European Languages (John Benjamins, 2002), and the co-editor, with Alexander J. Dick, of Spheres of Action: Speech and Performance in Romantic Culture (University of Toronto Press, 2009). She has also edited a critical edition of Two Stories of Prague, by R. M. Rilke (University Press of New England, 1994).

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