As king of Wessex, he strove to emulate those kings of the past who, in his own words, had 'succeeded both in warfare and in wisdom'. He led the battle against the Viking invaders of England, and presided over the revival of religion and learning among his people: his reputation is a measure of his success.
As king of Wessex, he strove to emulate those kings of the past who, in his own words, had 'succeeded both in warfare and in wisdom'. He led the battle against the Viking invaders of England, and presided over the revival of religion and learning among his people: his reputation is a measure of his success.
Asser's Life of King Alfred, written in 893, is a revealing account of one of the greatest medieval kings. Composed by a monk of St David's in Wales who became Bishop of Sherborne in Alfred's service and worked with him in his efforts to revive religion and learning in his kingdom, this life is among the earliest surviving royal biographies. It is an admiring account of King Alfred's life, written in absorbing detail - chronicling his battles against Viking invaders and his struggle to increase the strength and knowledge of his people, and to unite them at a time of conflict, uncertainty and war.In their introduction, Simon Keynes and Michael Lapidge examine Alfred's reign and turbulent times. This edition also includes other contemporary sources, including annals from The Anglo-Saxon Chronicle, King Alfred's laws, his will and extracts from his own writings.
Little is known of Asser beyond this work.
Simon Keynes is Reader in Anglo-Saxon History at Cambridge University. He is the author of The Diplomas of King Aethelred 'the Unready' and of numerous articles on Anglo-Saxon history. Michael Lapidge is Bosworth Professor of Anglo-Saxon at Cambridge University and a Fellow of Clare College. He has translated the Latin writings of Aldhelm and is the author of numerous books on Latin literature.
The socialist ideals of the early twentieth century argued for a radical overhaul of architectural philosophy, reasserting the value of public space and redefining all forms of creative endeavor towards the benefit of the collective. These ideals were realized in the design of public buildings, streets and squares, as well as in films, literature and the visual arts. Urban planning under Eastern European Socialism is consequently inseparable from its ideological aspirations, and while its governmental structure may have collapsed, its architectural expressions remain. Over the last decade, however, many classic buildings of this era have been stripped of their political import, being repurposed or even destroyed. The Post Socialist City reveals that many cities across Eastern Europe remain dominated by the industrial complexes and panel buildings erected by Socialism, and analyzes the implications of the uses to which they have subsequently been put.
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