Doors Open
From the iconic #1 bestselling author of A SONG FOR THE DARK TIMES
$23.63
- Paperback
432 pages
- Release Date
27 October 2026
Summary
‘You won’t be able to turn the pages fast enough’ - RED
FROM THE ICONIC NUMBER ONE BESTSELLER IAN RANKIN
THEY SAY THE DEVIL MAKES WORK FOR IDLE HANDS…
Three friends visit an art auction each in search of something. Self-made mogul Mike Mackenzie completed the rat race, Allan Cruikshank is bored of his banking job, while art professor Robert Gissing is disgusted that so many paintings stay hidden in boardrooms.
…
Book Details
| ISBN-13: | 9781398730656 |
|---|---|
| ISBN-10: | 1398730653 |
| Author: | Ian Rankin |
| Publisher: | Orion Publishing Co |
| Imprint: | Orion |
| Format: | Paperback |
| Number of Pages: | 432 |
| Release Date: | 27 October 2026 |
| Weight: | 300g |
| Dimensions: | 34mm x 126mm x 196mm |

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Critics Review
It convincingly shows that he can move with aplomb into another crime form, and tell a story that’s typically at once gripping and full of subtle effects, without his depressive detective holding it together * SUNDAY TIMES - John Dugdale *
It convincingly shows that he can move with aplomb into another crime form, and tell a story that’s typically at once gripping and full of subtle effects, without his depressive detective holding it together * SUNDAY TIMES - John Dugdale *
Doors Open is a lot of fun. It’s pacy, witty, full of action, twists and splendid dialogue. And Rebus does make a subtle appearance when an officer describes his police station as “a damn sight quieter since you-know-who retired” * THE TIMES *
Doors Open is a lot of fun. It’s pacy, witty, full of action, twists and splendid dialogue. And Rebus does make a subtle appearance when an officer describes his police station as “a damn sight quieter since you-know-who retired” * THE TIMES *
Because Rankin is a master story-teller, that means the reader is quickly swept up and carried along. I read this in one sitting, on a swelteringly hot beach in Greece; I kept meaning to do other things - find a beer, fetch a sunhat, check the BlackBerry - but somehow had to keep putting them off until I finished this chapter; and then the next; until I’d reached the end * GUARDIAN - Andrew Marr *
Because Rankin is a master story-teller, that means the reader is quickly swept up and carried along. I read this in one sitting, on a swelteringly hot beach in Greece; I kept meaning to do other things - find a beer, fetch a sunhat, check the BlackBerry - but somehow had to keep putting them off until I finished this chapter; and then the next; until I’d reached the end * GUARDIAN - Andrew Marr *
An immensely satisfying, bloody and constantly surprising story of middle-class amateurs mixing it with the big boys. And, as usual, Edinburgh - “a village masquerading as a city” - is a character in itself. So much so that “you-know-who” is hardly missed * EVENING STANDARD *
An immensely satisfying, bloody and constantly surprising story of middle-class amateurs mixing it with the big boys. And, as usual, Edinburgh - “a village masquerading as a city” - is a character in itself. So much so that “you-know-who” is hardly missed * EVENING STANDARD *
Rankin has taken a holiday from Rebus before, notably in the Jack Harvey thrillers. Here he is trying something new, a “caper” that is also a publishing experiment. Doors Open was serialised in the New York Times so it should reach even more readers than Rebus did * TIMES LITERARY SUPPLEMENT *
Rankin has taken a holiday from Rebus before, notably in the Jack Harvey thrillers. Here he is trying something new, a “caper” that is also a publishing experiment. Doors Open was serialised in the New York Times so it should reach even more readers than Rebus did * TIMES LITERARY SUPPLEMENT *
It’s different - and it’s good * DAILY MAIL - Carla McKay *
It’s different - and it’s good * DAILY MAIL - Carla McKay *
Rankin is having fun here, name-checking Ocean’s Eleven and Banksy, inverting the Rebus idea and writing a heist thriller from the criminals’ point of view * METRO *
Rankin is having fun here, name-checking Ocean’s Eleven and Banksy, inverting the Rebus idea and writing a heist thriller from the criminals’ point of view * METRO *
Ian Rankin can pull off an audacious criminal caper even without his trademark detective * SCOTLAND ON SUNDAY *
Ian Rankin can pull off an audacious criminal caper even without his trademark detective * SCOTLAND ON SUNDAY *
a superbly-plotted, light-hearted romp which owes a debt to Ocean’s Eleven, but has plenty of charm of its own too * BIG ISSUE IN SCOTLAND *
a superbly-plotted, light-hearted romp which owes a debt to Ocean’s Eleven, but has plenty of charm of its own too * BIG ISSUE IN SCOTLAND *
Rankin is enjoying himself here examining the flipside of Rebus’ world: the mindset of the criminal attempting the perfect crime. The plotting and suspense are as impeccable as ever, and his ear for dialogue and insight into his home city remain perfectly honed. Freed from his Rebus back-story, Rankin sets a rattling pace, and Doors Open is an untrammelled joy to read. Consummate in its execution, this is another fine addition to Ian Rankin’s career, Rebus or not * THE LIST *
Rankin is enjoying himself here examining the flipside of Rebus’ world: the mindset of the criminal attempting the perfect crime. The plotting and suspense are as impeccable as ever, and his ear for dialogue and insight into his home city remain perfectly honed. Freed from his Rebus back-story, Rankin sets a rattling pace, and Doors Open is an untrammelled joy to read. Consummate in its execution, this is another fine addition to Ian Rankin’s career, Rebus or not * THE LIST *
As you’d expect from Rankin, a good plot and an interesting collection of Edinburgh characters * CHOICE *
As you’d expect from Rankin, a good plot and an interesting collection of Edinburgh characters * CHOICE *
You won’t be able to turn the pages fast enough * RED *
You won’t be able to turn the pages fast enough * RED *
The king of crime returns with another rip-roaring thriller * WOMAN *
The king of crime returns with another rip-roaring thriller * WOMAN *
Rebus might be resting but Rankin has lost none of his skill in creating a pacy plot set in Edinburgh. It’s a compelling story with some great characters, at least one of whom I wouldn’t be surprised to see in a future book. Recommended * THE BOOK BAG *
Rebus might be resting but Rankin has lost none of his skill in creating a pacy plot set in Edinburgh. It’s a compelling story with some great characters, at least one of whom I wouldn’t be surprised to see in a future book. Recommended * THE BOOK BAG *
There is acute psychology and social commentary in Doors Open * STANDPOINT *
There is acute psychology and social commentary in Doors Open * STANDPOINT *
This comic crime caper is a real treat, with Scotland’s superlative author masterfully delivery thrill-a-minute plot twists on every page. Rankin fans, and even Rankin amateurs, will be crying with laughter, as well as crying out for more * NHS MAGAZINE *
This comic crime caper is a real treat, with Scotland’s superlative author masterfully delivery thrill-a-minute plot twists on every page. Rankin fans, and even Rankin amateurs, will be crying with laughter, as well as crying out for more * NHS MAGAZINE *
Rankin has produced another stunningly clever plot, and peopled it with convincingly intriguing characters. Can this man do no wrong? * DAILY MIRROR *
Rankin has produced another stunningly clever plot, and peopled it with convincingly intriguing characters. Can this man do no wrong? * DAILY MIRROR *
Perhaps Rankin’s most entertaining book yet, an old-school caper with a sting in the tail * IRISH TIMES - John Connolly *
Perhaps Rankin’s most entertaining book yet, an old-school caper with a sting in the tail * IRISH TIMES - John Connolly *
Fans of Rankin’s successful Inspector Rebus series can stop crying into their whiskies. The publication last year of Exit Music, the final novel featuring the hard-drinking detective, has not stopped its author writing some excellent new tartan noir. Doors Open is Rankin’s first stand-alone thriller for a decade. A fast-paced, intriguingly plotted tale of a heist in Edinburgh’s art world, it also features the city’s shadier side - where Rebus so often hung out * FINANCIAL TIMES - Melissa McClements *
Fans of Rankin’s successful Inspector Rebus series can stop crying into their whiskies. The publication last year of Exit Music, the final novel featuring the hard-drinking detective, has not stopped its author writing some excellent new tartan noir. Doors Open is Rankin’s first stand-alone thriller for a decade. A fast-paced, intriguingly plotted tale of a heist in Edinburgh’s art world, it also features the city’s shadier side - where Rebus so often hung out * FINANCIAL TIMES - Melissa McClements *
This is exhilarating stuff, markedly different in tone from the kind of book we are used to from Rankin, but welcome proof that he has much more than one string to his bow * GOOD BOOK GUIDE *
This is exhilarating stuff, markedly different in tone from the kind of book we are used to from Rankin, but welcome proof that he has much more than one string to his bow * GOOD BOOK GUIDE *
Rankin’s superlative prose and well-crafted plot twists make this a must-read, especially for those still in mourning for the grumpy guy with a bus pass * DAILY RECORD - Shari Low *
Rankin’s superlative prose and well-crafted plot twists make this a must-read, especially for those still in mourning for the grumpy guy with a bus pass * DAILY RECORD - Shari Low *
Now Rankin has retired Rebus he can use his considerable talents to create standalone titles like this * THE INDEPENDENT *
Now Rankin has retired Rebus he can use his considerable talents to create standalone titles like this * THE INDEPENDENT *
Having retired Rebus, Rankin concocts a sharp, cleverly plotted, smartly paced criminal novel, throwing amateur crooks plannng an art theft to the professional sharks of Edinburgh’s underworld * SAGA *
Having retired Rebus, Rankin concocts a sharp, cleverly plotted, smartly paced criminal novel, throwing amateur crooks plannng an art theft to the professional sharks of Edinburgh’s underworld * SAGA *
a compelling new departure for Scotland’s king of crime * THE INDEPENDENT *
a compelling new departure for Scotland’s king of crime * THE INDEPENDENT *
An amusing bloody tale of middle-class amateurs mixing it with the big boys to pull off an audacious art heist * EVENING STANDARD *
An amusing bloody tale of middle-class amateurs mixing it with the big boys to pull off an audacious art heist * EVENING STANDARD *
a gripping crime novel that gradually enmeshes the reader in its dark world of wrong choices and deception * DEADLY PLEASURES *
a gripping crime novel that gradually enmeshes the reader in its dark world of wrong choices and deception * DEADLY PLEASURES *
We love the thought that went into this Rankin release. He’s a legend, and books like this prove why * U MAGAZINE *
We love the thought that went into this Rankin release. He’s a legend, and books like this prove why * U MAGAZINE *
Rankin has a seemingly effortless ability to tell a good and suspenseful yarn * MYSTERY SCENE - Barbara Fister *
Rankin has a seemingly effortless ability to tell a good and suspenseful yarn * MYSTERY SCENE - Barbara Fister *
Ian Rankin
Ian Rankin is the multimillion-copy worldwide bestseller of over thirty novels and creator of John Rebus. His books have been translated into thirty-six languages and have been adapted for radio, the stage, and the screen.
Rankin is the recipient of four Crime Writers’ Association Dagger Awards, including the Diamond Dagger, the UK’s most prestigious award for crime fiction. In the United States, he has won the celebrated Edgar Award and been shortlisted for the Anthony Award. In Europe, he has won Denmark’s Palle Rosenkrantz Prize, the French Grand Prix du Roman Noir, and the German Deutscher Krimipreis.
He is the recipient of honorary degrees from universities across the UK, is a Fellow of The Royal Society of Edinburgh and a Fellow of The Royal Society of Literature, and has received an OBE for his services to literature.
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