The Prussian gardens in Berlin, Potsdam and elsewhere in Bran- denburg: for the first time, texts and photographs present an over- all view of all the gardens and parks created under the Hohenzol- lerns over a period of more than three centuries. Only the cross-genre collaborative effort of garden designers, gardeners, architects, scenographers, sculptors, painters, and cre- ative rulers, the most prominent of whom were Frederick II and Frederick William IV, made it possible »to turn the environs of Ber- lin and Potsdam [...] step by step into a garden«, as Frederick Wil- liam IV put it in 1840. Figures such as David Garmatter, Friedrich Christian Glume, Sime¿on Godeau, Georg Wenzeslaus von Knobels- dorff, Peter Joseph Lenne¿, Antoine Pesne, Prince Hermann von Pu¿ckler-Muskau, Georg Potente, Karl Friedrich Schinkel, the Sello brothers, and Antoine Watteau ¿ picked from a whole cornucopia of names ¿ indicate the spectrum of artistic forces that created the Prussian garden realm. Impatient with his royal client, who had once again cut his fund- ing, Lenne¿ alluded to the high standard of princely landscape art: »Your Majesty still does not understand how ingenious my idea is.« The present volume is an attempt to examine the »ingeniousness of the idea« specifically inherent in the gardens of the Hohenzol- lerns in Prussia. Until his retirement, Hillert Ibbeken was professor of geology at the Freie Universita¿t Berlin. He has been involved in architecture and landscape photography throughout his life. His book Karl Friedrich Schinkel. Das architektonische Werk heute /The architectural work today, edited in co-operation with Elke Blauert, was published by Edition Axel Menges in 2001. Later there followed, in the same for- mat, this time with him as sole editor, his monographson Ludwig Persius (2005) and Friedrich August Stu¿ler (2006), and, among oth- ers, Schlo¿sser der Weserrenaissance/Castles of the Weser Renais- sance(2008), edited in co-operation with Michael Bischoff, as well as Das andere Italien/The other Italy. Geschichten und Bilder aus Ligurien und Kalabrien/Stories and pictures from Liguria and Cala- bria(2011). Katja Schoene is an art historian and museologist. She was for- merly on the staff of the National Trust in the landscape gardens at Stowe, Buckinghamshire, and of the Stiftung Preußische Schlo¿s- ser und Ga¿rten Berlin-Brandenburg. As a freelance author she has written about Schloss Sanssouci, Friedrich August Stu¿ler and the »Pomeranian curiosity cabinet«.
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Summary
The Prussian gardens in Berlin, Potsdam and elsewhere in Bran- denburg: for the first time, texts and photographs present an over- all view of all the gardens and parks created under the Hohenzol- lerns over a period of more than three centuries. Only the cross-genre collaborative effort of garden designers, gardeners, architects, scenographers, sculptors, painters, and cre- ative rulers, the most prominent of whom were Frederick II and Frederick William IV, made it possible »to turn the environs of Ber- lin and Potsdam [...] step by step into a garden«, as Frederick Wil- liam IV put it in 1840. Figures such as David Garmatter, Friedrich Christian Glume, Sime¿on Godeau, Georg Wenzeslaus von Knobels- dorff, Peter Joseph Lenne¿, Antoine Pesne, Prince Hermann von Pu¿ckler-Muskau, Georg Potente, Karl Friedrich Schinkel, the Sello brothers, and Antoine Watteau ¿ picked from a whole cornucopia of names ¿ indicate the spectrum of artistic forces that created the Prussian garden realm. Impatient with his royal client, who had once again cut his fund- ing, Lenne¿ alluded to the high standard of princely landscape art: »Your Majesty still does not understand how ingenious my idea is.« The present volume is an attempt to examine the »ingeniousness of the idea« specifically inherent in the gardens of the Hohenzol- lerns in Prussia. Until his retirement, Hillert Ibbeken was professor of geology at the Freie Universita¿t Berlin. He has been involved in architecture and landscape photography throughout his life. His book Karl Friedrich Schinkel. Das architektonische Werk heute /The architectural work today, edited in co-operation with Elke Blauert, was published by Edition Axel Menges in 2001. Later there followed, in the same for- mat, this time with him as sole editor, his monographson Ludwig Persius (2005) and Friedrich August Stu¿ler (2006), and, among oth- ers, Schlo¿sser der Weserrenaissance/Castles of the Weser Renais- sance(2008), edited in co-operation with Michael Bischoff, as well as Das andere Italien/The other Italy. Geschichten und Bilder aus Ligurien und Kalabrien/Stories and pictures from Liguria and Cala- bria(2011). Katja Schoene is an art historian and museologist. She was for- merly on the staff of the National Trust in the landscape gardens at Stowe, Buckinghamshire, and of the Stiftung Preußische Schlo¿s- ser und Ga¿rten Berlin-Brandenburg. As a freelance author she has written about Schloss Sanssouci, Friedrich August Stu¿ler and the »Pomeranian curiosity cabinet«.
Description
For the first time, texts and photographs present an overall view of all the Prussian gardens and parks in Berlin, Potsdam and elsewhere in Brandenburg created under the Hohenzollerns over a period of more than three centuries. Only the cross-genre collaborative effort of garden designers, gardeners, architects, scenographers, sculptors, painters, and creative rulers, made it possible to turn the environs of Berlin and Potsdam […] step by step into a garden«, as Frederick William IV put it in 1840. Figures such as David Garmatter, Friedrich Christian Glume, Siméon Godeau, Georg Wenzeslaus von Knobelsdorff, Peter Joseph Lenné, Antoine Pesne, Prince Hermann von Pückler-Muskau, Georg Potente, Karl Friedrich Schinkel, the Sello brothers, and Antoine Watteau – picked artistic forces that created the Prussian garden realm. The present volume is an attempt to approach the ideas forming the basis of the high standard of princely landscape art.
About the Author
Until his retirement, Hillert Ibbeken was professor of geology at the Freie Universitat Berlin. He has been involved in architecture and landscape photography throughout his life. Katja Schoene is an art historian and museologist. She was formerly on the staff of the National Trust in the landscape gardens at Stowe, Buckinghamshire, and of the Stiftung Preussische Schlosser und Garten Berlin-Brandenburg.
The Prussian gardens in Berlin, Potsdam and elsewhere in Brandenburg: for the first time, texts and photographs present an overall view of all the gardens and parks created under the Hohenzollerns over a period of more than three centuries. Only the cross-genre collaborative effort of garden designers, gardeners, architects, scenographers, sculptors, painters, and creative rulers, the most prominent of whom were Frederick II and Frederick William IV, made it possible "to turn the environs of Berlin and Potsdam step by step into a garden", as Frederick William IV put it in 1840. Figures such as David Garmatter, Friedrich Christian Glume, Simeon Godeau, Georg Wenzeslaus von Knobelsdorff, Peter Joseph Lenne, Antoine Pesne, Prince Hermann von Puckler-Muskau, Georg Potente, Karl Friedrich Schinkel, the Sello brothers, and Antoine Watteau -- picked from a whole cornucopia of names -- indicate the spectrum of artistic forces that created the Prussian garden realm. Impatient with his royal client, who had once again cut his funding, Lenne alluded to the high standard of princely landscape art: "Your Majesty still does not understand how ingenious my idea is".The present volume is an attempt to examine the "ingeniousness of the idea" specifically inherent in the gardens of the Hohenzollerns in Prussia.
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