Queer Cinema, The Film Reader

Queer Cinema, the Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts. Divided into an introductory overview and four topic areas, the reader explores how recent critical thinking has approached queer sexualities in relation to the cinema. The four sections discuss Authorship - examining the role of sexuality in the work of queer filmmakers such as George Cukor, Dorothy Arzner, Barbara Hammer, and the directors of New Queer Cinema Forms - exploring how genres such as the horror film, the musical, film noir, and the animated film construct queer cinematic spaces Camp - looking at how this reception strategy and mode of textual production, initially practised by pre-Stonewall queers, retains its critical charge even in contemporary mainstream popular culture Reception - considering three specific historical case studies of how queer fans have interacted with media texts from Judy Garland to Star Trek. The reader concludes with an essay that queerly rethinks classical gaze theory.

'Four Stars ... there is much to appreciate here' - Film Review

Harry M. Benshoff is an Assistant Professor in Radio, Television and Film at the University of North Texas. He is the author of Monsters in the Closet: Homosexuality and the Horror Film (Manchester University Press, 1997) and co-author (with Sean Griffin) of America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, forthcoming, 2004)Dr. Sean Griffin is an Assistant Professor in the Division of Cinema-Television at Southern Methodist University. He is the author of Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out (NYU Press, 2000), and co-author (with Harry M. Benshoff) of America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, forthcoming, 2004).

Bella Wallis respectable society widow with a secret identity as a writer of sensationalist novels is now happily engaged to the love of her life, Philip Westland. But Westland's shadowy job, working for the British government, continually takes him abroad and away from the charismatic, impatient Bella. And then there is the matter of Westland's sister's incarceration in a French convent, a mystery about which he refuses to say a word. Bella is convinced that their future together can only be resolved by getting to the bottom of his secret. The resulting quest will take her from the Oval, and a vicious curse laid on champion batsman W.G Grace, to the desolate moors of Yorkshire, on the trail of some decidedly dangerous women and a surprisingly chatty hermit& 'A glorious heroine' John Harvey

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