In At The Kill

Seymour orchestrates the build-up to his denouement as masterfully as Merrick co-ordinates his Spanish sting * The Sunday Times on In At The Kill *This is a Jonas Merrick novel with a satisfying protagonist, a cast finely etched and deployed well by a master writer, and a series of milieux that underline the strength of criminals. A thriller of note, it is particularly interesting for capturing the tensions between police and the security services and within the latter * The Critic on In At The Kill *You don’t read Gerald Seymour, you commit to it totally. His stories have amazing detail, yet you still fly through them. And your effort is well rewarded * Sun on In At The Kill *As ever, the great strength of Seymour’s writing lies in his depiction of the poor bloody infantry of crime and policing * The Times on In At The Kill *Seymour’s portrayal of the city’s crime dynasty, and its inner rivalries and tensions, is masterful * Financial Times *Seymour has produced a tingling and compulsive story * On Yorkshire Magazine *Seymour has a knack of getting inside his characters in plots that are dryly compelling rather than sequencing continuous beatings-up and murders on every other page like so many thrillers * Peter Hain *

Gerald Seymour exploded onto the literary scene in 1975 with the massive bestseller HARRY’S GAME. The first major thriller to tackle the modern troubles in Northern Ireland, it was described by Frederick Forsyth as ‘like nothing else I have ever read’ and it changed the landscape of the British thriller forever.

Gerald Seymour was a reporter at ITN for fifteen years. He covered events in Vietnam, Borneo, Aden, the Munich Olympics, Israel and Northern Ireland. He has been a full-time writer since 1978.