Song for Almeyda and Song for Anninho

These are songs of longing and love, journeys of discovery and wholeness, revelations about trauma’s deep impact on body and soul, and simultaneous declarations of resistance and acceptance. Readers enthralled by Palmares will enjoy the added dimensions here, while others will be moved by the historical Black voices and oral traditions Jones so powerfully evokes – Janet St John * Booklist *Compelling … There is fierce and evocative intimacy in these songs that contrast sharply with the sweeping momentum and formidable amplitude of the storytelling in Palmares … For readers who are more encouraged than intimidated by Jones’ steely focus and breadth of vision, this is an important stop on a remarkable journey. This book’s magic is different than that of its predecessor, yet the spells they cast are comparably powerful * Kirkus *A literary giant, and one of my absolute favourite writers * Tayari Jones *Gayl Jones’s work represents a watershed in American literature. From a literary standpoint, her form is impeccable; from a historical standpoint, she stands at the very cutting edge of understanding the modern world, and as a Black woman writer, her truth-telling, filled with beauty, tragedy, humour, and incisiveness, is unmatched. Jones is a writer’s writer, and her influence is found everywhere – Imani Perry

Gayl Jones was born in Kentucky in 1949. She attended Connecticut College and Brown University and has taught at Wellesley and the University of Michigan. Her books include Corregidora (1975), Eva’s Man (1976), The Healing (1998), which was a National Book Award finalist, Palmares (2021), which was shortlisted for the Pulitzer Prize in fiction and longlisted for the Rathbones Folio Prize, and The Birdcatcher (2022), which was also a National Book Award Finalist.