Paperback

Composition and Cognition

Reflections on Contemporary Music and the Musical Mind

$53.59

  • Paperback

    160 pages

  • Release Date

    5 November 2019

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Summary

In Composition and Cognition, renowned composer and theorist Fred Lerdahl builds on his careerlong work of developing a comprehensive model of music cognition. Bringing together his dual expertise in composition and music theory, he reveals the way in which his research has served as a foundation for his compositional style and how his intuitions as a composer have guided his cognitively oriented theories. At times personal and reflective, this book offers an overall picture of the musical mind that has implications for central issues in contemporary composition, including the recurrent gap between method and result, and the tension between cognitive constraints and utopian aesthetic views of musical progress. Lerdahl’s succinct volume provides invaluable insights for students and instructors, composers and music scholars, and anyone engaged with contemporary music.

Book Details

ISBN-13:9780520305106
ISBN-10:0520305108
Author:Fred Lerdahl
Publisher:University of California Press
Imprint:University of California Press
Format:Paperback
Number of Pages:160
Release Date:5 November 2019
Weight:227g
Dimensions:15mm x 152mm x 229mm
Series:Ernest Bloch Lectures
A-Format
B-Format
Composition and Cognition by Fred Lerdahl - ISBN: 9780520305106
152 × 229 mm
C-Format
A4
mm / in
What They're Saying

Critics Review

“Fred Lerdahl’s engaging new book is an example of something music theory might do more of: letting composers to talk seriously and personally about the ideas animating their music.”

“Fred Lerdahl’s engaging new book is an example of something music theory might do more of: letting composers to talk seriously and personally about the ideas animating their music.” * Music Theory Online *

About The Author

Fred Lerdahl

Fred Lerdahl is Fritz Reiner Professor Emeritus of Musical Composition at Columbia University. He is widely recognized both for his chamber music and orchestral compositions and for his writings in music theory and the cognitive science of music.


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