Francis Ford Coppola's Megalopolis

the distinctive visual look, including the costumes, production design and cinematography did generally draw praise, and could be seen as a strong foundation for a graphic novel presentation. – G Allen Johnson * SF Chronicle *
“Adapted by writer Ryall in close collaboration with Coppola, the script leans into allegory without sacrificing character depth. Artist Phillips (That Texas Blood) delivers rich, cinematic visuals with a textured palette that evokes both grandeur and decay—apt for a story straddling the hopeful and the dystopian.” * LIBRARY JOURNAL *

Francis Ford Coppola is the acclaimed writer and director of some of the greatest and most unique films of all time, including The Godfather, Apocalypse Now, and The Conversation. Over the course of his career, he has received five Academy Awards, six Golden Globe awards, two Palme D’Or awards, and a BAFTA. Megalopolis: The Director’s Cut is his debut graphic novel, not a licensed adaptation of his film of the same name. He lives in San Francisco.

Chris Ryall was the longtime chief creative officer, editor in chief, and writer for IDW Publishing. Based in San Diego, he is the cofounder of Syzygy Publishing and cowriter of Comic Books 101. He has written many graphic novel adaptations such as Clive Barker’s The Great and Secret Show, Stephen King and Joe Hill’s Throttle, Harlan Ellison’s Phoenix Without Ashes, Shaun of the Dead, George Romero’s Land of the Dead, Beowulf, and more.

London-based Jacob Phillips is the artist and colorist on Megalopolis; the cocreator, artist, and colorist of That Texas Blood, The Enfield Gang Massacre, and Newburn; and is an Eisner-nominated colorist on books such as Reckless, Criminal, and Night Fever.

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