An auteur and the creator of multiple cinematic universes, James Wan has become one of the most successful directors in history. Yet there is little scholarship on Wan's work. This collection of new essays fills the gap with contributions from around the globe offering analysis of his film and television productions.
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Summary
An auteur and the creator of multiple cinematic universes, James Wan has become one of the most successful directors in history. Yet there is little scholarship on Wan's work. This collection of new essays fills the gap with contributions from around the globe offering analysis of his film and television productions.
Description
An auteur and the creator of multiple cinematic universes, James Wan has become one of the most successful directors in history, his films breaking box office records worldwide. Yet there is little scholarship on Wan's work. This collection of new essays fills the gap with contributions from around the globe offering analysis of his film and television productions, including Saw (2004), Aquaman (2018) and The Conjuring Universe franchise, along with less well-known works like Death Sentence (2007), Dead Silence (2007) and his pilot for the new MacGyver series. For the first time, Wan's films are explored in-depth from wide range of critical perspectives.
About the Author
Fernando Ga7#8212;briel Pagnoni Berns is a professor at the Universidad de Buenos Aires (UBA)—Facultad de Filosofia y Letras (Argentina). He teaches courses on international horror film and has written about the Spanish horror TV series Historias para no Dormir and the Frankenstein bicentennial.
Matthew Edwards is a primary school teacher and freelance writer from Cirencester, England. He is the author or editor of numerous books on world cinema.
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