The Art Institution of Tomorrow by Fatoş Üstek - ISBN: 9781848226517
Hardcover
Art institutions face radical change: transform now or become irrelevant.

The Art Institution of Tomorrow

Reinventing the Model

$58.20

  • Hardcover

    104 pages

  • Release Date

    25 April 2024

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Summary

The Art Institution of Tomorrow is a unique manifesto for raising the standard of institutional practices across the world. It suggests that existing art institutions are not equipped to deal with the radical social, economic and environmental change we are living through and engage with advancement in the arts, and that unless they re-focus on their core purpose and fundamentally transform their organisational structure and operational models, they will start to lose their relevance…

Book Details

ISBN-13:9781848226517
ISBN-10:1848226519
Author:Fatoş Üstek
Publisher:Lund Humphries Publishers Ltd
Imprint:Lund Humphries Publishers Ltd
Format:Hardcover
Number of Pages:104
Release Date:25 April 2024
Weight:272g
Dimensions:11mm x 130mm x 200mm
Series:Hot Topics in the Art World
A-Format
B-Format
The Art Institution of Tomorrow by Fatoş Üstek - ISBN: 9781848226517
130 × 200 mm
C-Format
A4
mm / in
What They're Saying

Critics Review

‘This is a clear-eyed look at how art institutions need to evolve in response to structural change. Drawing on research and interviews, it outlines where existing models fall short and how they might be rethought. It is particularly relevant for those involved in shaping organisations, offering a framework for aligning mission, structure and public relevance in a rapidly shifting landscape.’ – Celine Choon, ‘The books art professionals are reading right now’, , 30 March 2026

About The Author

Fatoş Üstek

Fatoş Üstek is an independent curator and writer and a leading voice in contemporary art. She was previously Director of the Liverpool Biennial, Director of the Roberts Institute of Art, Associate Curator of the 10th Gwangju Biennial, South Korea and Curator of Frieze Sculpture 2023. In 2015 she was the Art Fund Curator at fig-2, a ground-breaking project which presented 50 projects in 50 weeks.

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