Deviations in Contemporary Theatrical Anthropology

New Myths and Performative Rituals between XR, Robots and AI

Author: Ester Fuoco Series: Routledge Advances in Theatre & Performance Studies

Deviations in Contemporary Theatrical Anthropology

Hardcover

This book refers to the artistic deviation from dominant goals in a social system or from means considered legitimate in that system.

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Summary

This book refers to the artistic deviation from dominant goals in a social system or from means considered legitimate in that system.

Description

This book refers to the artistic deviation from dominant goals in a social system or from means considered legitimate in that system.

This book explores a "New Humanism" in the performing arts, unique in the sense of human's ability to co-create and communicate beyond spatial and temporal boundaries, wars, and pandemics, through artistic deviations carried out by machines and through the Extended Reality. Through the lens of anthropology and aesthetics, this study selects useful case studies to demonstrate this phenomenon of performative symphonises, in which the experimentation of AI-driven creativity and the new human-robot interaction (HRI) lead to philosophical inquiries about the nature of creativity, intelligence, and the definition of art itself. These shifts in paradigms invite us to reconsider established concepts and explore new perspectives on the relationship between technology, art, and the human experience.

This book will be of great interest to students and scholars in theatre and performance studies, anthropology, and digital humanities.

About the Author

Ester Fuoco is a Senior Researcher in Performing Arts at the IULM University. In 2019, she obtained a PhD in Digital Humanities from the University of Genoa through a joint program with Paris 7 University. In 2021, she received a research grant at the Institute of Biorobotics at the Sant'Anna School of Advanced Studies. From 2022 to 2023, she was a postdoctoral researcher on a project titled "Onlife Theatre: Creative and Reception Convergences between Live, Digital, and Transmediality". Her main research areas focus on the use of new technologies in performance from an anthropological and aesthetic perspective.