Women, Making, and Everyday Value in Contemporary Installation Art, 9781350497764
Hardcover
Everyday objects transformed: finding unexpected value in feminist installation art.
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Women, Making, and Everyday Value in Contemporary Installation Art

jessica stockholder, liza lou, and sarah sze

$322.67

  • Hardcover

    232 pages

  • Release Date

    9 July 2025

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Summary

Crafting the Everyday: Women, Art, and the Value of Making

What can art offer as it extends beyond aesthetic categories and their boundaries? Examining the work of three major American contemporary artists, Jessica Stockholder, Liza Lou, and Sarah Sze, this book explores their installation-specific practice in rich detail, connecting it to wider issues surrounding feminist art, everyday objects, DIY spaces and practice in the 1990s and broader contemporary period.

Book Details

ISBN-13:9781350497764
ISBN-10:1350497762
Author:Elyse Speaks
Publisher:Bloomsbury Publishing PLC
Imprint:Bloomsbury Visual Arts
Format:Hardcover
Number of Pages:232
Release Date:9 July 2025
Weight:600g
Dimensions:236mm x 162mm x 20mm
What They're Saying

Critics Review

A rich new interpretation of the work of artists at the forefront of the return of the handmade and process-driven practices in sculpture and installation in the 1990s. With much needed contextualization, the book charts the legacies of this distinctive way of working in the contemporary art world. * Elissa Auther, Deputy Director of Curatorial Affairs and the William and Mildred Lasdon Chief Curator, Museum of Arts and Design, New York, USA *Through remarkable descriptions of the room-sized works of Stockholder, Lou, and Sze, this book demonstrates the ways these artists employed untrained ‘amateur processes’ to generate something like 3D abstract paintings: an optimistic basis for a less hierarchical, more tangibly material, set of values. * Elise Archias, Associate Professor of Art History, University of Illinois, Chicago, USA *Dexterously unpacks the politics and values of making today—effectively redressing a gap in the discourse around the ‘post-medium condition’. Through stunning prose, this book equips readers with a sophisticated set of tools for grasping contemporary art practice with generosity and care. * T’ai Smith, Associate Professor, Art History, Visual Art & Theory, University of British Columbia, Canada *

About The Author

Elyse Speaks

Elyse Speaks is Professor of the Practice of Art History at the University of Notre Dame, USA.

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