Centerbook by Elizabeth Goldring - ISBN: 9780998117058
Hardcover
The first comprehensive history of MIT’s Center for Advanced Visual Studies (CAVS), told through personal accounts and groundbreaking artwork.

Centerbook

The Center for Advanced Visual Studies and the Evolution of Art-Science-Technology at MIT

$173.37

  • Hardcover

    350 pages

  • Release Date

    19 November 2019

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Summary

The first comprehensive history of MIT’s Center for Advanced Visual Studies (CAVS), told through personal accounts and groundbreaking artwork.In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected- it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era.The b…

Book Details

ISBN-13:9780998117058
ISBN-10:0998117056
Author:Elizabeth Goldring, Ellen Sebring, John Durant, Gediminas Urbonas
Publisher:MIT School of Architecture and Planning (SA+P)
Imprint:MIT School of Architecture and Planning
Format:Hardcover
Number of Pages:350
Release Date:19 November 2019
Weight:1.88kg
Dimensions:279mm x 229mm
Series:Centerbook
Audience Age:18
About The Author

Elizabeth Goldring

Elizabeth Goldring, a poet and media artist, is CAVS Fellow at ACT and director of the CAVS Vision Group. Also at CAVS (MIT’s Center for Advanced Visual Studies), Goldring was Exhibits and Projects Director, Senior Fellow, Acting Director, and Lecturer in MIT’s Architecture Department.Ellen Sebring is a media artist and theorist. Currently a postdoctoral fellow at Duke University, she was a Research Fellow at CAVS and, from 2002 to 2012, was Creative Director of MIT’s Visualizing Cultures project.Gediminas Urbonas is an Associate Professor at MIT and an artist, activist, educator, and is cofounder with Nomeda Urbonas of US- the Urbonas Studio, an interdisciplinary research practice.Peter Weibel is Chairman and CEO of the ZKM | Center for Art and Media Karlsruhe. With Bruno Latour, he coedited ICONOCLASH and Making Things Public as well as other ZKM volumes, including, most recently, Sound Art and Global Activism (all published by the MIT Press).

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