Frantumaglia

This book invites readers into Elena Ferrante's workshop. It offers a glimpse into the drawers of her writing desk, those drawers from which emerged her three early standalone novels and the four installments of My Brilliant Friend, known in English as the Neapolitan Quartet. Consisting of over twenty years of letters, essays, reflections, and interviews, it is a unique depiction of an author who embodies a consummate passion for writing.

In these pages Ferrante answers many of her readers' questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that it isn't good enough for publication. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse of memories, material, and stories. The result is a vibrant and intimate selfportrait of a writer at work.

“Praise for Frantumaglia " Frantumaglia ”

"A celebration of the life of the novel and a manifesto for the death of the author."

"An absorbing, tantalising journey into the private world of Elena Ferrante." 

"The letters and interviews in Elena Ferrante’s Frantumaglia: A Writer’s Journey reveal all you ever need to know about the author of the Neapolitan Quartet."

"Tthese fragments offer fascinating insights into Ferrante’s working methods and artistic purpose."

Elena Ferrante is the author of The Days of Abandonment (Europa, 2005), Troubling Love (Europa, 2006), The Lost Daughter (Europa, 2008), and the four novels known as the Neapolitan Quartet (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child) which were published by Europa Editions between 2012 and 2015. My Brilliant Friend, the HBO series directed by Saverio Costanzo, premiered in 2018. Ferrante is also the author of Frantumaglia: A Writer’s Journey (Europa, 2016), a children’s picture book illustrated by Mara Cerri, The Beach at Night (Europa, 2016), and a collection of personal essays illustrated by Andrea Ucini entitled Incidental Inventions (Europa, 2019). The Lost Daughter was made into a feature film directed by Maggie Gyllenhaal and starring Olivia Colman. Her most recent novel is The Lying Life of Adults (Europa, 2020). In the Margins, a collection of original essays on reading and writing, was published by Europa in 2022.Ann Goldstein is one of the most accomplished translators from the Italian working today. Best known for her translations of Elena Ferrante’s oeuvre, she has also brought to Anglo-Saxon readers novels by Primo Levi, Pierpaolo Pasolini, Alessandro Baricco and other classic and contemporary Italian writers.

This book invites readers into Elena Ferrante's workshop. This book invites readers into Elena Ferrante's workshop. It offers a glimpse into the drawers of her writing desk, those drawers from which emerged her three early standalone novels and the four installments of My Brilliant Friend, known in English as the Neapolitan Quartet. Consisting of over twenty years of letters, essays, reflections, and interviews, it is a unique depiction of an author who embodies a consummate passion for writing. In these pages Ferrante answers many of her readers' questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that it isn't good enough for publication. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse of memories, material, and stories. The result is a vibrant and intimate selfportrait of a writer at work.

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