
Songs in Black and Lavender
race, sexual politics, and women's music
$62.60
- Paperback
248 pages
- Release Date
14 August 2010
Summary
Drawing on fieldwork conducted at eight women’s music festivals, Eileen M. Hayes shows how studying these festivals–attended by predominately white lesbians–provides critical insight into the role of music and lesbian community formation. She argues that the women’s music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women’s involvement in the women’s music festival scene,…
Book Details
ISBN-13: | 9780252076985 |
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ISBN-10: | 0252076982 |
Series: | African Amer Music in Global Perspective |
Author: | Eileen M. Hayes, Linda Tillery |
Publisher: | University of Illinois Press |
Imprint: | University of Illinois Press |
Format: | Paperback |
Number of Pages: | 248 |
Release Date: | 14 August 2010 |
Weight: | 399g |
Dimensions: | 229mm x 152mm x 15mm |
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What They're Saying
Critics Review
“Written with candor and humor, Hayes’s study models a welcome, crucial, and decisive turn in scholarship on women’s music. Recommended.”– Choice
“Exhibiting multiple sites of influence and authorities, the first chapter, ‘Diary of a Mad Black Woman Festigoer,’ is one of the most engaging ethnographies I have read. Who can resist a scholar who isn’t afraid to talk about serious matters via one of the highest forms of intelligence: humor?” Guthrie P. Ramsey Jr., author of Race Music: Black Cultures from Bebop to Hip-Hop “This is the book we’ve been waiting for. Hayes provides valuable interrogations of the internal and external politics around race, gender, sexuality, culture, and the formations of black feminist consciousness that can make or break a social movement.” Kimberly Springer, author of Living for the Revolution: Black Feminist Organizations, 1968-1980
About The Author
Eileen M. Hayes
Eileen M. Hayes is an associate professor of music and the chair of the division of music history, theory, and ethnomusicology at the University of North Texas. She is the coeditor of Black Women and Music: More than the Blues.
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