Songs in Black and Lavender, 9780252076985
Paperback
Shows how studying the women’s music festivals provides insights into the role of music and lesbian community formation. This book argues that the women’s music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period.

Songs in Black and Lavender

race, sexual politics, and women's music

$62.60

  • Paperback

    248 pages

  • Release Date

    14 August 2010

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Summary

Drawing on fieldwork conducted at eight women’s music festivals, Eileen M. Hayes shows how studying these festivals–attended by predominately white lesbians–provides critical insight into the role of music and lesbian community formation. She argues that the women’s music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women’s involvement in the women’s music festival scene,…

Book Details

ISBN-13:9780252076985
ISBN-10:0252076982
Series:African Amer Music in Global Perspective
Author:Eileen M. Hayes, Linda Tillery
Publisher:University of Illinois Press
Imprint:University of Illinois Press
Format:Paperback
Number of Pages:248
Release Date:14 August 2010
Weight:399g
Dimensions:229mm x 152mm x 15mm
What They're Saying

Critics Review

“Written with candor and humor, Hayes’s study models a welcome, crucial, and decisive turn in scholarship on women’s music. Recommended.”– Choice

“Exhibiting multiple sites of influence and authorities, the first chapter, ‘Diary of a Mad Black Woman Festigoer,’ is one of the most engaging ethnographies I have read. Who can resist a scholar who isn’t afraid to talk about serious matters via one of the highest forms of intelligence: humor?” Guthrie P. Ramsey Jr., author of Race Music: Black Cultures from Bebop to Hip-Hop “This is the book we’ve been waiting for. Hayes provides valuable interrogations of the internal and external politics around race, gender, sexuality, culture, and the formations of black feminist consciousness that can make or break a social movement.” Kimberly Springer, author of Living for the Revolution: Black Feminist Organizations, 1968-1980

About The Author

Eileen M. Hayes

Eileen M. Hayes is an associate professor of music and the chair of the division of music history, theory, and ethnomusicology at the University of North Texas. She is the coeditor of Black Women and Music: More than the Blues.

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