Nearly 500 photos of artwork with personal insights from 76 of today's most noteworthy artists show the tremendously broad range of possibilities that working in three dimensions can offer. In conjunction with the other two books in this acclaimed series, it invites readers to re-examine fibre art through a multifaceted contemporary lens. Both established artists and emerging artists whose work is attracting notice are gathered here. Carol Milne's knitted glass and Peter Gentenaar's technique of vacuum forming and air-drying paper fibres are but a few examples of artists using new materials with traditional methods. AUTHOR: Living in Lexington, Massachusetts, E. Ashley Rooney and Anne Lee had been casually acquainted for many years. They first volunteered together in 2010, curating an art show at Cary Memorial Library. Other shared art events followed, and both their friendship and their writing partnership evolved. Together, they have edited Encaustic Art in the Twenty-First Century (Schiffer) as well as this exciting series on fibre art. As coauthors, they balance each other and offer different experiences and perspectives: Ashley is the author of over fifty books, specialising in contemporary art and architecture; and Anne researched, curated, and wrote about exhibitions at Vose Galleries in Boston. Exploring fibre art together has been a fascinating and fruitful journey they are eager to share. The former president of the National Basketry Organization, Lois Russell is a widely published fibre artist whose sculptural work reflects her background as a basket maker. A hand and machine knitter, Adrienne Sloane has shown her work nationally for over 25 years. 478 colour images
As research director at Vose Galleries, Anne Lee wrote and designednumerous exhibit catalogs. E. Ashley Rooney is the author of over twenty books on contemporary art. E. Ashley Rooney has authored over 70 books for Schiffer Publishing. She specializes in contemporary art, design, and architecture and draws upon her expertise in gardening for Magical Fairy Homes and Gardens. She lives in Massachusetts.
Nearly 500 photos ofartwork with personal insights from 78 of today's most noteworthyartists show the tremendously broad range of possibilities that working in three dimensions can offer. In conjunction with the other two books in this acclaimedseries, it invitesreaders to re-examine fiber art through a multifaceted contemporarylens. Both established artists and emerging artists whose work isattracting notice are gathered here. Carol Milne's knitted glass and Peter Gentenaar's technique of vacuum forming and air-drying paper fibers are but a few examples of artists using new materials with traditional methods.
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