
The Art of Drew Struzan
$93.34
- Hardcover
160 pages
- Release Date
24 September 2010
Summary
Drew Struzan has created some of the most iconic movie poster images of the last 30 years, from “Raiders of the Lost Ark” to “Star Wars: Episode III”. This is the first book to cover his movie work in depth. Featuring over 300 pieces of artwork, including previously unseen poster art for “Harry Potter and the Chamber of Secrets” and “Hellboy II”, this is a treat for movie buffs and artists alike.
Book Details
| ISBN-13: | 9781848566194 |
|---|---|
| ISBN-10: | 1848566190 |
| Author: | Drew Struzan, David J. Schow |
| Publisher: | Titan Books Ltd |
| Imprint: | Titan Books Ltd |
| Format: | Hardcover |
| Number of Pages: | 160 |
| Release Date: | 24 September 2010 |
| Weight: | 1.18kg |
| Dimensions: | 318mm x 239mm x 19mm |
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What They're Saying
Critics Review
“If you love movie posters you’ll want to have this on your bookshelf, or coffee table.” – Leonard Maltin“The Art of Drew Struzan is required reading for any fan of the artist, any fan of the films he did art for, and any fan of movie posters in general.” – comingsoon.net”…visual chocolate for every lover of movie posters…” – Tor.com“Page after gorgeous page of draft compositions and alternate posters that, until now, went unseen by the public at large.” – Cinematical“Drew’s work evokes the magic of cinema and his raw passion for it is right there on every single page.” – Film Junk“The art alone would make this a worthwhile book to pick up - but it’s the context and history you get along the way that seals the deal. The Art of Drew Struzan should be on the reading list of any movie buff.” – Blog Critics“The Art of Drew Struzan immortalizes a man who contributed much more than film advertisements. He gave America icons and the magic to remember them by.” – One Metal
About The Author
Drew Struzan
David J. Schow is an American Bram Stoker Award-winning author of horror novels, short stories, and screenplays, including The Crow and The Texas Chainsaw Massacre: The Beginning. Most of Schow’s fiction work falls into the sub-genre ‘splatterpunk’, a term he is sometimes credited with coining.
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