An Anishnawbe man, Arthur Copper, decides to repopulate the lakes of his home Territory with manoomin, or wild rice much to the disapproval of the local non-Indigenous cottagers, in particular the formidable Maureen Poole.
An Anishnawbe man, Arthur Copper, decides to repopulate the lakes of his home Territory with manoomin, or wild rice much to the disapproval of the local non-Indigenous cottagers, in particular the formidable Maureen Poole.
Cottagers and Indians explores the politics and issues surrounding a real-life event still occurring in the Kawartha Lakes region of Central Ontario. An Indigenous man, Arthur Copper, has taken it upon himself to repopulate the nearby lakes with wild rice, known amongst the Anishnawbe as Manoomin, much to the disapproval of the local non-Indigenous cottagers, Maureen Poole in particular. She feels the plant interferes with boating, fishing, swimming, and is generally an eyesore that brings down the property values of her cottage and those of her neighbours. Drew Hayden Taylor's thirty-second play is a powerful dramatization of contemporary confrontations taking place between environmentalism and consumerism, Indigenous and non-Indigenous sensibilities.
“Hayden Taylor's play provides a powerful argument that relations between Canada and Indigenous people can become a life-giving force. However, the terms of this relationship must be based on Indigenous sovereignty over land.”
“A deft touch for mixing comedy and commentary in an entertaining all-Canadian form of social satire."
—Vancouver Sun
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“Hayden Taylor’s play provides a powerful argument that relations between Canada and Indigenous people can become a life-giving force. However, the terms of this relationship must be based on Indigenous sovereignty over land."
—Canadian Literature
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Ojibway writer Drew Hayden Taylor, hailed by the Montreal Gazette as one of Canada's leading Native dramatists, writes for the screen as well as the stage and contributes regularly to North American Native periodicals and national newspapers. His plays have garnered many prestigious awards, and his beguiling and perceptive storytelling style has enthralled audiences in Canada, the United States and Germany. Although based in Toronto, Taylor has traveled extensively throughout North America, honoring requests to read from his work and to attend arts festivals, workshops and productions of his plays. One of his most established bodies of work includes what he calls the Blues Quartet, an ongoing, outrageous and often farcical examination of Native and non-Native stereotypes.
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