Why Music Matters

Listen to David Hesmondhalgh discuss the arguments at the core of 'Why Music Matters' with Laurie Taylor on BBC Radio 4's Thinking Allowed here: _Allowed_Why_Music_Matters_Bhangra_and_Belonging/

In what ways might music enrich the lives of people and of societies? What prevents it from doing so? Why Music Matters explores the role of music in our lives, and investigates the social and political significance of music in modern societies.

• First book of its kind to explore music through a variety of theories and approaches and unite these theories using one authoritative voice
• Combines a broad yet theoretically sophisticated approach to music and society with real clarity and accessibility
• A historically and sociologically informed understanding of music in relation to questions of social power and inequality
• By drawing on both popular and academic talk about a range of musical forms and practices, readers will engage with a wide musical terrain and a wealth of case studies

“"Most notably the book is ambivalent about much of the promises claimed by the advocates of music's transformative potential, but is never bleak, retaining a refreshing realism about the capacity of music to matter to people, publics and nations across the world." ( New Books In Critical Theory , 19 June 2014)”

“Most notably the book is ambivalent about much of the promises claimed by the advocates of music’s transformative potential, but is never bleak, retaining a refreshing realism about the capacity of music to matter to people, publics and nations across the world.”  (New Books In Critical Theory, 19 June 2014)

David Hesmondhalgh is Professor of Media and Music Industries at the University of Leeds. He is the author of The Cultural Industries, now in its third edition (2013) and co-author (with Sarah Baker) of a study of working life in three cultural industries, including music, Creative Labour (2011). He is also the editor or co-editor of various collections, including Western Music and its Others (with Georgina Born, 2000) and Popular Music Studies (with Keith Negus, 2002).

"Many of us who love popular music call ourselves 'poptimist' these days without bothering to establish a theoretical framework that would make that catchy term meaningful. In this slim, lucid, infinitely deep book, David Hesmondhalgh offers a way into that process. His conclusions about music's impact on our personal and social lives have already become essential to my own work, and any music scholar, critic, musician or fan will benefit from his calm, clear, uncompromising voice." Ann Powers , Pop music critic, National Public Radio "This is also about why freedom, solidarity and love matter. Hesmondhalgh's wide-ranging and thought-provoking study sets the agenda for musicology's latest affective turn." Martin Stokes , King's College London In what ways does music enrich the lives of people and of societies? What prevents it from doing so? In this carefully researched and insightful study, Hesmondhalgh examines the role of music in our lives, and how people forge connections with others through music. However, it also argues that music cannot remain unaffected by the inequalities that stain modern life. Through this critical defense of music, a variety of theories and approaches are brought together. In doing so, Hesmondhalgh provides a distinctive and valuable perspective on the general subject of music that builds on previous research from a variety of fields but also goes beyond them in instructive new ways. The result is a landmark study of the social value of music and an indispensable contribution to a variety of intersecting fields, written with enormous clarity, by a leading music scholar.

Many of us who love popular music call ourselves poptimist these days without bothering to establish a theoretical framework that would make that catchy term meaningful. In this slim, lucid, infinitely deep book, David Hesmondhalgh offers a way into that process. His conclusions about music s impact on our personal and social lives have already become essential to my own work, and any music scholar, critic, musician or fan will benefit from his calm, clear, uncompromising voice. Ann Powers , Pop music critic, National Public Radio This is also about why freedom, solidarity and love matter. Hesmondhalgh s wide-ranging and thought-provoking study sets the agenda for musicology s latest affective turn. Martin Stokes , King s College London In what ways does music enrich the lives of people and of societies? What prevents it from doing so? In this carefully researched and insightful study, Hesmondhalgh examines the role of music in our lives, and how people forge connections with others through music. However, it also argues that music cannot remain unaffected by the inequalities that stain modern life. Through this critical defense of music, a variety of theories and approaches are brought together. In doing so, Hesmondhalgh provides a distinctive and valuable perspective on the general subject of music that builds on previous research from a variety of fields but also goes beyond them in instructive new ways. The result is a landmark study of the social value of music and an indispensable contribution to a variety of intersecting fields, written with enormous clarity, by a leading music scholar.

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