
Hope I Get Old Before I Die
Why rock stars never retire
$24.58
- Paperback
432 pages
- Release Date
8 September 2026
Summary
Showcasing the third act of the gods of rock, David Hepworth looks at how enduring icons like Bob Dylan, Bruce Springsteen and Pink Floyd remain on top in the ever-changing music game.
When Paul McCartney closed Live Aid in July 1985 we thought he was rock’s Grand Old Man. He was forty-three years old. As the forty years since have shown he - and many others of his generation - were just getting started.
This was the time when live performance took over from records. The big n…
Book Details
| ISBN-13: | 9781804991992 |
|---|---|
| ISBN-10: | 1804991996 |
| Author: | David Hepworth |
| Publisher: | Transworld Publishers Ltd |
| Imprint: | Penguin |
| Format: | Paperback |
| Number of Pages: | 432 |
| Release Date: | 8 September 2026 |
| Weight: | 311g |
| Dimensions: | 197mm x 129mm x 28mm |
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What They're Saying
Critics Review
Fascinating stuff with great anecdotes * Sun *
Hepworth is a genuinely great writer, with a winning turn of phrase * Guardian *
Reads like a series of rich, fast-paced and immensely funny short stories * The Oldie *
Offers solid insights into the compulsions and drives that keep bands reforming * Sunday Times *
Another triumph… Part whizz-bang storytelling, part social history, part forensic examination of an understudied phenomenon, the book is destined to become the go-to text on a subject we never thought we’d have to survey * Literary Review *
About The Author
David Hepworth
David Hepworth has been writing, broadcasting and speaking about music and media since the seventies. He was involved in the launch and editing of magazines such as Smash Hits, Q, Mojo and The Word, among many others. He was one of the presenters of the BBC rock music programme The Old Grey Whistle Test and one of the anchors of the corporation’s coverage of Live Aid in 1985. He has won the Editor of the Year and Writer of the Year awards from the Professional Publishers Association and the Mark Boxer award from the British Society of Magazine Editors. He lives in London, dividing his time between writing for a variety of newspaper and magazines, speaking at events, and broadcasting work. He says Chuck Berry’s ‘You Never Can Tell’ is the best record ever made. ‘This is not an opinion,’ he says. ‘It’s a matter of fact.’
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