Lucian Freud

In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them 'revealing, telling, believable... really shameless'. It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits give us an insight into the development of his style as a painter. The works provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Essays by leading authorities - including those who knew him - explore Freud's life and work, and analyse the importance of self-portraiture in his practice. An interview between the art historian Jasper Sharp and the actress Tilda Swinton completes the book. Swinton sat for Freud and can testify to the intensity with which he studied the human body - an intensity that he maintained when studying his own. Accompanies an exhibition at the Royal Academy of Arts, London (27 October 2019 to 26 January 2020) and the Museum of Fine Arts, Boston (22 February to 25 May 2020). Exhibition organised by the Royal Academy of Arts, London, in collaboration with the Museum of Fine Arts, Boston. AUTHORS: David Dawson is a painter and photographer, and Freud's former studio assistant. Joseph Leo Koerner is Victor S. Thomas Professor of Art and Architecture at Harvard University. Jasper Sharp is Adjunct Curator for Modern and Contemporary Art at the Kunsthistorisches Museum, Vienna. The Pulitzer Prize-winning art critic Sebastian Smee is author of The Art of Rivalry: Four Friendships, Betrayals and Breakthroughs in Modern Art (2016). SELLING POINTS: . Lucian Freud's arresting self-portraits provide an insight into the enigmatic artist's psyche and document his developing style . This book reproduces all of Freud's self-portraits 130 colour illustrations

“This is an artist who delights in confronting human flaws - both other people's and his own.”

...Stretches the definition of 'self-portrait' while revealing that the painter was as unsparing with himself as with his other subjects. [...] In Freud's visceral self-portraits it's a troubled landscape indeed.--Peter Plagens "Wall Street Journal"
[Lucian Freud's] portraits will capture the evolution of an artist as he moved from the exactitude of a youthful style towards an ever freer, looser and more overtly painterly technique. They will show us a human being who, through long self-contemplation, captures the frank truth about flesh as it ages.--Nancy Durrant "The Times"
Captures [Freud's] most visceral essence, as his self-portraits were amongst the most emotional pieces ever painted.--Ken Scrudato "Blackbook"
Freud liked to take a long, hard look at himself--and more often than not, the results are stunning.--Alastair Smart "Telegraph"
Freud on Freud, no filter. [...] As he painted life, he also was painting its inevitable slippage, its wither and fade. His blunt devotion to the world in front of him, as it was, made mortality his real subject, something "The Self Portraits" rings clear as a bell. As he painted life, he also painted death.--Murray Whyte "Boston Globe"
Freud painted a human truth that no one wants to confront, and that's why his ugliness is so goddamn beautiful.--Eddy Frankel "Time Out New York"
Freud's self-portraits...are all sorts of things: tender, witty, experimental and - yes, that dread word - visceral. To walk around this show is to be powerfully aware both of his intense single-mindedness - the sheer quality of his concentration - and of his abiding fascination with the idea of the shifting, slippery self; the experience is a little like being watched. But if some red thread does link them, it is surely this inescapable menace.--Rachel Cooke "Guardian"
Hell isn't only other people. One must include oneself and one's body in this comedy of errors and terrors and that's what Freud does.--Adrian Searle "Guardian"
In the end, it is the painting that mattered most. 'I dont want to retire, ' he once said. 'I want to paint myself to death.' And that's more or less what he did: It wasnt until two weeks before his death that he finally laid his brush to rest.--Farah Nayeri "New York Times"
Lucian Freud: The Self-portraits...is unprecedented: a celebration, and an enigma--of time, change, the leitmorifs of a life distilled on canvas.--Jackie Wullschläger "Financial Times"
Seldom has a painter indulged in such relentlessly fierce, pitiless, lonely self-appraisal. And yet he could not stop himself. He had to plunge deep into the well of himself, no matter how dark the outcome.--Michael Glover "Hyperallergic"
This book presents German painter Lucian Freud's stunning but lesser-known self portraits. These canvases display the artist's flesh in somber, provocative ways.--Natasha Wolff "Forbes"
--Chloë Ashby "Frieze"

David Dawson is a painter and photographer, and Freud's former studio assistant. Joseph Leo Koerner is the Thomas Professor of History of Art and Architecture and Senior Fellow of the Society of Fellows, Harvard University. Jasper Sharp is Adjunct Curator for Modern and Contemporary Art at the Kunsthistorisches Museum, Vienna. The Pulitzer Prize-winning art critic Sebastian Smee is author of The Art of Rivalry: Four Friendships, Betrayals and Breakthroughs in Modern Art (2016).

The artist stripped bare by himself: Lucian Freud's self-portraits redefine the genre In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them "revealing, telling, believable ... really shameless." It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits chart his biography and give us an insight into the development of his style. These paintings provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Freud's exploration of the self-portrait is unexpected and wide-ranging. In this volume, essays by leading authorities, including those who knew him, explore Freud's life and work, and analyze the importance of self-portraiture in his practice. Lucian Freud was born in Germany in 1922, and permanently relocated to London in 1933 during the ascent of the Nazi regime. After seeing brief service during World War II, Freud had his first solo exhibition in 1944 at the Alex Reid & Lefevre Gallery in London. Despite exhibiting only occasionally over the course of his career, Freud's 1995 portrait Benefits Supervisor Sleeping was sold at auction, at Christie's New York in May 2008, for $33.6 million, setting a world record for sale value of a painting by a living artist. Freud died in London in 2011.

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