A must have for collectors of Baldaev's and Vasliev's work: anyone who has the Russian Criminal Tattoo Encyclopaedia I-III and Drawings from the Gulag, will need this to complete their collection
A must have for collectors of Baldaev’s and Vasliev’s work: anyone who has the Russian Criminal Tattoo Encyclopaedia I-III and Drawings from the Gulag, will need this to complete their collection
A must have for collectors of Baldaev's and Vasliev's work: anyone who has the Russian Criminal Tattoo Encyclopaedia I-III and Drawings from the Gulag, will need this to complete their collection
A must have for collectors of Baldaev’s and Vasliev’s work: anyone who has the Russian Criminal Tattoo Encyclopaedia I-III and Drawings from the Gulag, will need this to complete their collection
Soviets features unpublished drawings from the archive of Danzig Baldaev. They satirize the Communist Party system, exposing the absurdities of Soviet life from drinking (Alcoholics and Shirkers) to the Afghan war (The Shady Enterprise), via dissent (Censorship, Paranoia and Suspicion) and religion (Atheism as an Ideology). Baldaev reveals the cracks in the crumbling socialist structure, detailing the increasing hardships tolerated by a population whose leaders are in pursuit of an ideal that will never arrive. Dating from 1950s to the period immediately before the fall of the Soviet Union in 1991, his caricatures depict communism's winners and losers: the corruption of its politicians, the stagnation of the system, and the effect of this on the ordinary soviet citizen. Baldaev's drawings are contrasted with classic propaganda style photographs taken by Sergei Vasiliev for the newspaper Vercherny Chelyabinsk. These photographs portray a world the Party leaders dreamed of: where workers fulfilled their five-year plans as parades of soldiers and weapons rumbled through Red Square. This book examines - both broadly and in minute detail - the official fiction and the austere, bleak reality, of living under such a system.
Baldaev was born in 1925 in Ulan-Ude, Buryatiya, Russia.
Communism's winners and losers: drawings expressing the absurdities of Soviet life, from the archive of Russian Criminal Tattoo 's Danzig Baldaev Soviets features unpublished drawings from the archive of Danzig Baldaev. Made in secret, they satirize the Communist Party system and expose the absurdities of Soviet life. Baldaev touches on a wide range of subjects, from drinking (Alcoholics and Shirkers) to the Afghan war (The Shady Enterprise), via dissent (Censorship, Paranoia and Suspicion) and religion (Atheism as an Ideology). He reveals the cracks in the crumbling socialist structure, describing the realities of living in a country whose leaders are in pursuit of an ideal that will never arrive. The drawings date from the 1950s to the period immediately before the fall of the Soviet Union in 1991, with caricatures exposing communism's winners and losers: the stagnation of the system, the corruption of its politicians and the effect of this on the ordinary soviet citizen. Baldaev's drawings are contrasted with classic propaganda-style photographs taken by Sergei Vasiliev for the newspaper Vercherny Chelyabinsk . These photographs depict the world the Communist leaders dreamed of: where the local factory produced its millionth tractor and heroic workers fulfilled their five-year plans. It is impossible to imagine the daily reality of living under such a system; this book shows us--both broadly and in minute detail--what it must have been like.
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