A pioneering study of literary philhellenism, considering texts as active agents in shaping attitudes towards Greece
An investigation of literary representations of Greece in the period of Romanticism, encompassing the time in the 1820s when it became a territorial and political reality as a nation state. Constanze Guthenke explores the imaginative construction of the Greek nation in light of the literary strategies and constraints of Romantic aesthetics.
A pioneering study of literary philhellenism, considering texts as active agents in shaping attitudes towards Greece
An investigation of literary representations of Greece in the period of Romanticism, encompassing the time in the 1820s when it became a territorial and political reality as a nation state. Constanze Guthenke explores the imaginative construction of the Greek nation in light of the literary strategies and constraints of Romantic aesthetics.
Placing Modern Greece is about literary representations of Greece in the period of Romanticism, encompassing the time in the 1820s when it became a territorial and political reality as a nation state. Constanze Guthenke claims that the imagining of and attitude towards Greece was shaped by a fascination with the material, and by the highly conceptualized tension between the ideal on the one hand, and the material on the other. Her study focuses on natureand landscape imagery as vehicles of representation, on their specific inner workings, and on their dynamic, which conditions how and whether Greece as a modern entity in the making can be represented at all.Offering readings from German and contemporaneous Greek authors, Guthenke supplies a commentary on the translation and crossings of representational models and their limits.
“rich and informative... This is an original book, notable in its scope and the fresh scrutiny brought to Romantic Hellenism.”
Dirk t. D. Held, Bryn Mawr Classical Review
Constanze Guthenke is Assistant Professor of Classics and Hellenic Studies, Princeton University.
Placing Modern Greece is about literary representations of Greece in the period of Romanticism, encompassing the time in the 1820s when it became a territorial and political reality as a nation state. Constanze Guthenke claims that the imagining of and attitude towards Greece was shaped by a fascination with the material, and by the highly conceptualized tension between the ideal on the one hand, and the material on the other. Her study focuses on nature and landscape imagery as vehicles of representation, on their specific inner workings, and on their dynamic, which conditions how and whether Greece as a modern entity in the making can be represented at all. Offering readings from German and contemporaneous Greek authors, Guthenke supplies a commentary on the translation and crossings of representational models and their limits.
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