'Filled with dreamlike memories, this autobiography is both surprising and delightful ... A strange and mesmerising piece of work, one that tears apart the usual fabric of an autobiography' Sunday Times
In Patch Work, Claire Wilcox steps into the archive of memory. Here, she deftly stitches together the story of her own life lived in and through clothes. In a series of intimate and compelling close-ups, Wilcox shows how the stories and secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories.
'Filled with dreamlike memories, this autobiography is both surprising and delightful ... A strange and mesmerising piece of work, one that tears apart the usual fabric of an autobiography' Sunday Times
In Patch Work, Claire Wilcox steps into the archive of memory. Here, she deftly stitches together the story of her own life lived in and through clothes. In a series of intimate and compelling close-ups, Wilcox shows how the stories and secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories.
WINNER OF THE 2021 PEN ACKERLEY PRIZE
‘A strange and mesmerising piece of work’ Sunday Times
‘An absolute masterpiece’ Laura Cumming
‘An uncommon delight’ Observer
Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she turns her curator’s eye to the fabric of life itself, tugging at the threads of memory: a cardigan worn by a child, a tin button box, the draping of a curtain, a pair of cycling shorts, a roll of lace, a pin hidden in a seam. Through these intimate and compelling close-ups, we see how the stories and the secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories.
‘Effervescent, poetic, puzzle-like ... Wilcox picks at the heartstrings’ Financial Times
“Patch Work will never leave me. Wilcox's memoir of life as fashion curator at the V&A is as delicate and finely wrought as seventeenth-century lace”
Into this tapestry of memories Wilcox weaves a melancholy thread ... The clothes are Proust’s madeleines, cocooned
in hatboxes and airing cupboards ... Gripping
Wilcox writes about clothing with an intoxicating specificity ... she uses her encounters with objects to explore themes of love and loss, birth and bereavement, family and tribe ... As skilful and oblique in its structure as the precious gowns she describes, is stitched together with loving care from narrative scraps and images, ultimately revealing how materiality and memory operate on one another again
-- Rebecca Mead New Yorker, Books of the YearIn elegant, evocative prose, Victoria & Albert Museum fashion curator Claire tells her life story, from formative
family life to love and loss, through the prism of a life-long obsession with clothes and the beautiful garments that inspired her intriguing career
Claire Wilcox has been Senior Curator of Fashion at the V&A since 2004, where she has curated exhibitions including Radical Fashion, The Art and Craft of Gianni Versace, Vivienne Westwood, The Golden Age of Couture: Paris and London 1947–1957, Alexander McQueen: Savage Beauty, and, as co-curator, Frida Kahlo: Making Her Self Up, and instigated Fashion in Motion (live catwalk events in the museum) in 1999. She is Professor in Fashion Curation at the London College of Fashion and is on the editorial board of Fashion Theory: The Journal of Dress, Body & Culture. She lives in South London.
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