Putting Plastic Surgery on Paper, 9781648251054
Hardcover
Art, surgery, and emotion collide: Shaping plastic surgery’s visual history.
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Putting Plastic Surgery on Paper

how art and archives defined second world war reconstructive surgery in britain

$391.88

  • Hardcover

    292 pages

  • Release Date

    24 June 2025

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Summary

Putting Plastic Surgery on Paper: Art, Emotion, and the Making of a Medical Field

An interdisciplinary approach to medical history that reveals the pivotal role of drawings and photographs in shaping the material, professional, emotional, and aesthetic parameters of plastic surgery.

Plastic surgery in twentieth-century Britain was a medical discipline intricately linked to art, artists, and art history, while simultaneously building its reputation and archives. Putting P…

Book Details

ISBN-13:9781648251054
ISBN-10:1648251056
Series:Rochester Studies in Medical History
Author:Christine Slobogin
Publisher:Boydell & Brewer Ltd
Imprint:University of Rochester Press
Format:Hardcover
Number of Pages:292
Release Date:24 June 2025
Weight:666g
Dimensions:229mm x 152mm
What They're Saying

Critics Review

In this sensitive and nuanced book, Dr. Christine Slobogin offers us a holistic history of the intersection between art and surgery, highlighting the importance of surgical art as medicine. She excavates the story of two key and often overlooked figures in surgical art as important practitioners of the humor and art of medical and surgical practice, making visible the multitude of ways that patients can see and be seen through the historical and medical record of visual culture. * Prof Sharrona Pearl, Andrews Chair of Interdisciplinary Studies in The John V. Roach Honors College, Texas Christian University *Putting Plastic Surgery on Paper reminds us that the history of medicine needs art history. Beginning with the premise that visual culture lies at the center of plastic surgery and its archives, the book demonstrates how much we have to gain by looking closely at medical illustrations, analyzing them in relation to both clinical and non-clinical images, and reading through a critical lens the biography of the surgeon as artist. This remarkably interdisciplinary book also models deeply ethical research as historians struggle to retrieve, and safeguard, patient experiences. * Tanya Sheehan, Ellerton M. and Edith K. Jetté Professor of Art, Colby College *

About The Author

Christine Slobogin

Christine Slobogin, an art historian of medicine, is an Assistant Professor of Health Humanities and Bioethics at the University of Rochester.

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