Kim Jiyoung, Born 1982

[Kim Jiyoung] laid bare my own Korean childhood – and, let’s face it, my Western adulthood too – forcing me to confront traumatic experiences that I’d tried to chalk up as nothing out of the ordinary. But then, my experiences are ordinary, as ordinary as the everyday horrors suffered by the book’s protagonist, Jiyoung. This novel is about the banality of the evil that is systemic misogyny… . Jiyoung, like Gregor Samsa, feels so overwhelmed by social expectations that there is no room for her in her own body; her only option is to become something – or someone – else.–Euny Hong “New York Times Book Review”
Cho Nam-joo’s third novel has been hailed as giving voice to the unheard everywoman… . [Kim Jiyoung] has become both a touchstone for a conversation around feminism and gender and a lightning rod for anti-feminists who view the book as inciting misandry … [The book] has touched a nerve globally … The character of Kim Jiyoung can be seen as a sort of sacrifice: a protagonist who is broken in order to open up a channel for collective rage. Along with other socially critical narratives to come out of Korea, such as Bong Joon-ho’s Oscar-winning film Parasite, her story could change the bigger one.–Sarah Shin, The Guardian
Cho’s clinical prose is bolstered with figures and footnotes to illustrate how ordinary Jiyoung’s experience is…. When Kim Jiyoung, Born 1982, was published in Korea in 2016, it was received as a cultural call to arms…. Like Bong Joon Ho’s Academy Award-winning film Parasite, which unleashed a debate about class disparities in South Korea, Cho’s novel was treated as a social treatise as much as a work of art…. The new, often subversive novels by Korean women, which have intersected with the rise of the #MeToo movement, are driving discussions beyond the literary world.–Alexandra Alter “New York Times”
Written with unbearably clear-sighted perspective, Kim Jiyoung, Born 1982 possesses the urgency and immediacy of the scariest horror thriller–except that this is not technically horror, but something closer to reportage. I broke out in a sweat reading this book.–Ling Ma, author of Severance

Cho Nam-joo is a former television scriptwriter. In the writing of this book she drew partly on her own experience as a woman who quit her job to stay at home after giving birth to a child. Kim Jiyoung, Born 1982 is her third novel. It has had a profound impact on gender inequality and discrimination in Korean society, and has been translated into 18 languages.

This item is eligible for free returns within 30 days of delivery. See our returns policy for further details.