Color Codes, New edition Edition by Charles A. Riley - ISBN: 9780874517422
Paperback
“The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it,” writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color.

Color Codes, New edition Edition

Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music and Psychology

$107.34

  • Paperback

    373 pages

  • Release Date

    31 October 1996

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Summary

“The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it,” writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color.

Book Details

ISBN-13:9780874517422
ISBN-10:0874517427
Author:Charles A. Riley
Publisher:University Press of New England
Imprint:University Press of New England
Format:Paperback
Number of Pages:373
Edition:New edition
Release Date:31 October 1996
Weight:576g
Dimensions:229mm x 152mm
What They're Saying

Critics Review

In six intricate essays, the author discusses uses of color by the foremost contemporary artists, composers, philosophers, authors, architects, and psychologists … Riley’s impressively wide-ranging knowledge demonstrate[s] the unique and varied perceptions in the field. Library Journal“Riley’s richly rewarding scholarly study explores the multiple meanings of color. Publishers Weekly”The subtitle clearly delineates the subject matter of this important book on the subjectivity of color sense and theories thereof, from the late 19th century to the present … [Riley] stresses the relatively independent development of color ideas among the theorists chosen, speaking of interrelations usually only where they have some historical or conceptual validity; and he does so in a clear, intelligible style. Choice“

About The Author

Charles A. Riley

CHARLES A. RILEY II is a frequent lecturer on the arts. He is author of several books, including Aristocracy and the Modern Imagination (2001) and Saints of Modern Art (1998), and of over a hundred gallery and museum catalogue essays for exhibitions on three continents. He has also written dozens of cover features for magazines including Art & Auction, Art & Antiques, and World Art. Founding editor-in-chief of WE, a national magazine for people with disabilities, he is Associate Professor of English at Baruch College, CUNY.

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