The Ontology of the Accident

In the usual order of things, lives run their course and eventually one becomes who one is. Bodily and psychic transformations do nothing but reinforce the permanence of identity. But as a result of serious trauma, or sometimes for no reason at all, a subject’s history splits and a new, unprecedented persona comes to live with the former person - an unrecognizable persona whose present comes from no past and whose future harbors nothing to come; an existential improvisation, a form born of the accident and by accident. Out of a deep cut opened in a biography, a new being comes into the world for a second time.

What is this form? A face? A psychological profile? What ontology can it account for, if ontology has always been attached to the essential, forever blind to the aléa of transformations? What history of being can the plastic power of destruction explain? What can it tell us about the explosive tendency of existence that secretly threatens each one of us?

Continuing her reflections on destructive plasticity, split identities and the psychic consequences experienced by those who have suffered brain injury or have been traumatized by war and other catastrophes, Catherine Malabou invites us to join her in a philosophic and literary adventure in which Spinoza, Deleuze and Freud cross paths with Proust and Duras.

“"Situating the concept of plasticity within the history of philosophy, specifically the work of Hegel, Catherine Malabou has developed the means of invigorating philosophy's relation to science. Here she takes up the challenge of rethinking 'destruction', 'negativity', 'loss' and 'death'; terms which stand opposed to plasticity within the structure of plasticity itself. This work marks a significant development in Malabou's important philosophical project." Andrew Benjamin, Monash University "Through profiles of Spinoza, Deleuze, Proust, Kafka, Duras, Freud and others, Catherine Malabou has produced an exciting extension of her analysis of plasticity in its darkest and most disturbing dimension. Explosive plasticity - catastrophe, breakdown, destruction without remission, repair or promise - sculpts a new deformed form, a deviation in being as a form of being, an adieu to life while still alive, each with a phenomenology of its own. Her exploration of the accident as a category of being confirms once again her reputation as one of the brightest stars of the new generation of French philosophers." John D. Caputo, Syracuse University”

"Situating the concept of plasticity within the history of philosophy, specifically the work of Hegel, Catherine Malabou has developed the means of invigorating philosophy's relation to science. Here she takes up the challenge of rethinking 'destruction', 'negativity', 'loss' and 'death'; terms which stand opposed to plasticity within the structure of plasticity itself. This work marks a significant development in Malabou's important philosophical project."
Andrew Benjamin, Monash University

"Through profiles of Spinoza, Deleuze, Proust, Kafka, Duras, Freud and others, Catherine Malabou has produced an exciting extension of her analysis of plasticity in its darkest and most disturbing dimension. Explosive plasticity - catastrophe, breakdown, destruction without remission, repair or promise - sculpts a new deformed form, a deviation in being as a form of being, an adieu to life while still alive, each with a phenomenology of its own. Her exploration of the accident as a category of being confirms once again her reputation as one of the brightest stars of the new generation of French philosophers."
John D. Caputo, Syracuse University

Catherine Malabou is Professor of Philosophy at Kingston University London.

The 1990s have seen a renaissance in short fiction studies. Today's short story writers are testing the boundaries of short fiction through minimalist works; extended short story cycles; narrative nonfiction forms, such as histories, memoirs, and essays; and even stories created interactively with readers on the computer. Short story critics, in turn, are viewing the short story from the perspective of genre, history, cultural studies, and even cognitive science. This volume brings together the opinions, theories, and research of many of today's best-known short story writers, theorists, and critics. Contributors include some of the most widely read contemporary authors, such as Joyce Carol Oates, John Barth, Gay Talese, W. P. Kinsella, Robert Coover, Barry Hannah, and Leslie Marmon Silko. The authors and scholars who have contributed to the volume provide an entertaining and informative exploration of modern short fiction. The volume traces the origins of the short story back to Chaucer, the joke, and the instinct for play, and follows the development of the form through today's "hyper-stories" created interactively in cyberspace. Along the way, it presents essays on miminalism in short fiction, on the transformation of short stories into films, and even on AIDS and the short story. The broad scope of the volume includes a wide variety of critical approaches brought to bear on literature from around the world, including short stories from Africa, Australia, Great Britain, Canada, New Zealand, and the United States.

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