Shakespeare in Theory and Practice

Theory is valuable to the degree that it enables us to read differently: a nuanced approach shows that the most obvious interpretation is never the whole story. In these essays, brought together here for the first time, world-renowned critic Catherine Belsey puts theory to work in order to register Shakespeare's powers of seduction, together with his moment in history. Teasing out the meanings of the narrative poems, as well as some of the more familiar plays, Shakespeare in Theory and Practice demonstrates the possibilities of an attention to textuality that also draws on the archive. A reading of the Sonnets, written specially for this book, analyses their intricate and ambivalent inscription of desire.Belsey has been intimately involved with poststructuralism as it has emerged and developed in the English-speaking world. While the earliest essays published here are strongly influenced by Roland Barthes and Louis Althusser, both writers acknowledged a debt to the psychoanalytic account of representation as always unstable, designed at once to reveal and to repress, and Belsey's later work has come to owe more to Lacanian psychoanalysis, in addition to Derridean deconstruction. Between them, these essays trace the progress of theory in the course of three decades, while a new introduction offers a narrative and analytical overview, from a participant's perspective, of some of its key implications.Written with verve and conviction, this book shows how texts can be seen to offer access to the dissonances of the past when theory finds an outcome in practice.Key FeaturesA very special critic writing on the central figure of English literatureProvides an exemplary demonstration of poststructuralist theory at workPays particular attention to desire as a theme and as a component of interpretationProvides close readings of the texts combining the historical and theoretical

“These are essays of love, as well as about love, and this makes them unusually sensitive...Belsey's insistence on the anarchy of desire seems both timely and genuinely radical.”

All of the essays attest to Belsey's career-long commitment to theory and its ability to deliver new ways of reading ! Her attention in this collection to materiality and wordplay is indicative of her considerable skills as a close reader. Shakespeare Survey -- Peter Holbrook Times Literary Supplement All of the essays attest to Belsey's career-long commitment to theory and its ability to deliver new ways of reading ! Her attention in this collection to materiality and wordplay is indicative of her considerable skills as a close reader.

Catherine Belsey is currently Research Professor at Swansea University and formerly Distinguished Research Professor at Cardiff University. Best known for her pioneering book, Critical Practice (Methuen, 1980), Catherine Belsey has an international reputation as a deft and sophisticated critical theorist and subtle and eloquent critic of literature, particularly of Renaissance texts. Her books include The Subject of Tragedy: Identity and Difference in Renaissance Drama (Methuen, 1985), John Milton: Language, Gender, Power (Basil Blackwell, 1988), Desire: Love Stories in Western Culture (Blackwell, 1994), Shakespeare and the Loss of Eden (Macmillan, 1999), Poststructuralism: A Very Short Introduction (OUP, 2002) and Culture and the Real (Routledge, 2005).

Shakespeare in Theory and PracticeCatherine Belsey'All of the essays attest to Belsey's career-long commitment to theory and its ability to deliver new ways of reading ... Her attention in this collection to materiality and wordplay is indicative of her considerable skills as a close reader.'Shakespeare Survey'These are essays of love, as well as about love, and this makes them unusually sensitive... Belsey's insistence on the anarchy of desire seems both timely and genuinely radical.'Times Literary SupplementIn these essays, brought together here for the first time, world-renowned critic Catherine Belsey puts theory to work in order to demonstrate the possibilities of an attention to textuality that also takes account of history. She teases out the meanings of the narrative poems, as well as some of the plays, while a reading of the Sonnets, written specially for this book, explores their subtle power to seduce.Belsey has been a vital figure in poststructuralist theory as it has developed in the English-speaking world. The introduction offers a participant's narrative and analytical overview of three decades of psychoanalysis and deconstruction.Written with verve and conviction, this book shows how texts can be seen to offer access to the dissonances of the past when theory finds an outcome in practice.Catherine Belsey is Research Professor of English at Swansea University. She is author of Critical Practice (1980, 2002) and Culture and the Real (2005). Her most recent book is Why Shakespeare? (2007).

Theory is valuable to the degree that it enables us to read differently: a nuanced approach shows that the most obvious interpretation is never the whole story. In these essays, brought together here for the first time, world-renowned critic Catherine Belsey puts theory to work in order to register Shakespeare's powers of seduction, together with his moment in history. Teasing out the meanings of the narrative poems, as well as some of the more familiar plays, Shakespeare in Theory and Practice demonstrates the possibilities of an attention to textuality that also draws on the archive. A reading of the Sonnets, written specially for this book, analyses their intricate and ambivalent inscription of desire.Belsey has been intimately involved with poststructuralism as it has emerged and developed in the English-speaking world. While the earliest essays published here are strongly influenced by Roland Barthes and Louis Althusser, both writers acknowledged a debt to the psychoanalytic account of representation as always unstable, designed at once to reveal and to repress, and Belsey's later work has come to owe more to Lacanian psychoanalysis, in addition to Derridean deconstruction. Between them, these essays trace the progress of theory in the course of three decades, while a new introduction offers a narrative and analytical overview, from a participant's perspective, of some of its key implications.Written with verve and conviction, this book shows how texts can be seen to offer access to the dissonances of the past when theory finds an outcome in practice.Key FeaturesA very special critic writing on the central figure of English literatureProvides an exemplary demonstration of poststructuralist theory at workPays particular attention to desire as a theme and as a component of interpretationProvides close readings of the texts combining the historical and theoretical

This item is eligible for free returns within 30 days of delivery. See our returns policy for further details.