Sculpting Time explores the profound and transformative impact of Alexander Calder, one of the 20th century’s most revolutionary artists through a focused lens. Includes over 30 masterworks made between 1930 and 1960.
Sculpting Time explores the profound and transformative impact of Alexander Calder, one of the 20th century’s most revolutionary artists through a focused lens. Includes over 30 masterworks made between 1930 and 1960.
Calder. Sculpting Time explores the profound and transformative impact of one of the 20th century’s most revolutionary artists through a focused lens. Alexander Calder (1898–1976) changed the way we perceive and interact with sculpture by introducing the fourth dimension of time into art with his legendary mobiles — a term coined by Marcel Duchamp that refers to both “motion” and “motive” in French — and by exploring volumes and voids in his stabiles, christened by Jean Arp for his stationary objects.
This catalogue includes over 30 masterworks made between 1930 and 1960 — Calder’s most innovative, prolific years — from his early abstractions or sphériques to a magnificent selection of mobiles, stabiles, and standing mobiles of various scales. It also features a large body of Calder’s Constellations, a term proposed by Duchamp and James Johnson Sweeney for the artist’s beloved objects made from wood and wire in 1943, a time when sheet metal was in short supply due to World War II.
[This book] pays homage to Alexander Calder's kinetic sculptures with a selection of works from the American artist's most prolific period.--Elena Clavarino "Air Mail"
An elegant survey of the sculptures of the American modernist and fixture in the Parisian avant-garde of the 1920s and '30s, this book reflects on Calder's use of time as an artistic 'medium, ' his 'spheriques, ' mobiles and 'constellations, ' all appearing at once kinetic and suspended in space and time.-- "The New York Times Book Review"
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