Examines the American exploitation film - blaxploitation, exploitation-horror and sexploitation - between 1959 and 1977
The Style of Sleaze reasons that the aesthetic and thematic approach of the key texts within three distinct exploitation demarcations blaxploitation, horror and sexploitation indicate a concurrent evolution of filmmaking that could be seen as an identifiable cinematic movement.
Examines the American exploitation film - blaxploitation, exploitation-horror and sexploitation - between 1959 and 1977
The Style of Sleaze reasons that the aesthetic and thematic approach of the key texts within three distinct exploitation demarcations blaxploitation, horror and sexploitation indicate a concurrent evolution of filmmaking that could be seen as an identifiable cinematic movement.
What is an exploitation film? The Style of Sleaze reasons that the aesthetic and thematic approach of the key texts within three distinct exploitation demarcations blaxploitation, horror and sexploitation indicate a concurrent evolution of filmmaking that could be seen as an identifiable cinematic movement. Offering a fresh perspective on studies of marginal cinema, The Style of Sleaze maintains that defining exploitation cinema as a vaguely attributed 'excess' is unhelpful, and instead concludes that this period in American film history produced a number of the most transgressive, and yet morally complex, motion pictures ever made.
“In its focus on the taboo-breaking and transgressive elements of 1970s exploitation cinema, The Style of Sleaze is set to be as important a publication in this area as Eric Schaefer's Bold! Daring! Shocking! True! A recognition to the importance of further study into the wonderful world of American "trash" cinema.”
--Mikel J. Koven, University of Worcester
Calum Waddell is a Lecturer in Film at the University of Aberdeen
'In its focus on the taboo-breaking and transgressive elements of 1970s exploitation cinema, it is set to be as important a publication in this area as Eric Schaefer's "Bold! Daring! Shocking! True!" A recognition to the importance of further study into the wonderful world of American "trash" cinema.'Mikel J. Koven, University of WorcesterWhat is an exploitation film? The Style of Sleaze reasons that the aesthetic and thematic approach of the key texts within three distinct exploitation demarcations ? blaxploitation, horror and sexploitation ? indicate a concurrent evolution of filmmaking that could be seen as an identifiable cinematic movement. Offering a fresh perspective on studies of marginal cinema, the book maintains that defining exploitation cinema as a vaguely attributed 'excess' is unhelpful, and instead concludes that this period in American film history produced a number of the most transgressive, and yet morally complex, motion pictures ever made.Calum Waddell gained his PhD at the University of Aberdeen.Cover image: poster art for Night of the Living Dead (1968)
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