George Masa's Wild Vision

Winner of the Thomas Wolfe Award

2023 Phillip D. Reed Environmental Writing Award Finalist

George Masa's Wild Vision recounts the incredible, overlooked life of the photographer George Masa.
Self-taught photographer George Masa (born Masahara Iizuka in Osaka, Japan), arrived in Asheville, North Carolina at the turn of the twentieth century amid a period of great transition in the southern Appalachians.
Masa's photographs from the 1920s and early 1930s are stunning windows into an era where railroads hauled out the remaining old-growth timber with impunity, new roads were blasted into hillsides, and an activist community emerged to fight for a new national park. Masa began photographing the nearby mountains and helping to map the Appalachian Trail, capturing this transition like no other photographer of his time. His images, along with his knowledge of the landscape, became a critical piece of the argument for the Great Smoky Mountains National Park, compelling John D. Rockefeller to donate $5 million for initial land purchases. Despite being hailed as the "Ansel Adams of the Smokies," Masa died, destitute and unknown, in 1933.
, poet and environmental organizer Brent Martin explores the locations Masa visited, using first-person narratives to contrast, lament, and exalt the condition of the landscape the photographer so loved and worked to interpret and protect. The book includes seventy-five of Masa's photographs, accompanied by Martin's reflections on Masa's life and work.

“"If I were making a personal top ten list of important Appalachian artists, writers, and musicians, I'd include--along with more well-known names like Doc Watson and Nikki Giovanni--photographer George Masa. Brent Martin's introduction splendidly places Masa and his work in the context of the mountains they both love so much--a perfect match since Martin, like Masa, has spent most of his adult life studying the southern mountains, protecting them, exploring them." -- Charles Frazier, National Book Award-winning author of Varina "George Masa fascinated people who knew him while he was alive, and his life and work have many of us even more curious (or obsessed) a hundred years later. Brent's book transcends time with creative insights and reflections on the natural world that honor George Masa's 'Wild Vision'. His journey in Masa's bootprints is at times personal and contemplative and other times communal and philosophical, asking big questions about our appreciation and stewardship of the natural world today. I'm certain Masa would enjoy a campfire chat with Brent." --Paul Bonesteel, Director and founder of Bonesteel Films”

"If I were making a personal top ten list of important Appalachian artists, writers, and musicians, I’d include—along with more well-known names like Doc Watson and Nikki Giovanni—photographer George Masa. Brent Martin’s introduction splendidly places Masa and his work in the context of the mountains they both love so much—a perfect match since Martin, like Masa, has spent most of his adult life studying the southern mountains, protecting them, exploring them." —Charles Frazier, National Book Award-winning author of Varina

"George Masa fascinated people who knew him while he was alive, and his life and work have many of us even more curious (or obsessed) a hundred years later. Brent’s book transcends time with creative insights and reflections on the natural world that honor George Masa’s ‘Wild Vision’. His journey in Masa’s bootprints is at times personal and contemplative and other times communal and philosophical, asking big questions about our appreciation and stewardship of the natural world today. I’m certain Masa would enjoy a campfire chat with Brent." 

—Paul Bonesteel, Director and founder of Bonesteel Films

Brent Martin is the author of three chapbook collections of poetry and ofThe Changing Blue Ridge Mountains: Essays on Journeys Past and Present. His poetry and essays have been published in the North Carolina Literary Review, Pisgah Review, Tar River Poetry, Chattahoochee Review, Eno Journal, New Southerner, Kudzu Literary Journal, Smoky Mountain News and elsewhere. He lives in the Cowee community in Western North Carolina, where he and his wife, Angela Faye Martin, run Alarka Institute.

George Masa's Wild Vision recounts the incredible, overlooked life of the photographer George Masa. Self-taught photographer George Masa (born Masahara Iizuka in Osaka, Japan), arrived in Asheville, North Carolina at the turn of the twentieth century amid a period of great transition in the southern Appalachians. Masa's photographs from the 1920s and early 1930s are stunning windows into an era where railroads hauled out the remaining old-growth timber with impunity, new roads were blasted into hillsides, and an activist community emerged to fight for a new national park. Masa began photographing the nearby mountains and helping to map the Appalachian Trail, capturing this transition like no other photographer of his time. His images, along with his knowledge of the landscape, became a critical piece of the argument for the Great Smoky Mountains National Park, compelling John D. Rockefeller to donate $5 million for initial land purchases. Despite being hailed as the "Ansel Adams of the Smokies," Masa died, destitute and unknown, in 1933. , poet and environmental organizer Brent Martin explores the locations Masa visited, using first-person narratives to contrast, lament, and exalt the condition of the landscape the photographer so loved and worked to interpret and protect. The book includes seventy-five of Masa's photographs, accompanied by Martin's reflections on Masa's life and work.

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